{"title":"Barthélemy Trille Labarre: Professeur de Guitare et Compositeur, Élève d’Haydn","authors":"Kenneth Sparr","doi":"10.56902/sbs.2018.4.6","DOIUrl":null,"url":null,"abstract":"Barthélemy Trille Labarre (1758–1797) was a French guitarist and composer active at the end of the eighteenth century, when the five-course guitar was still the instrument of choice for many French guitarists. Trille Labarre's Nouvelle méthode pour la guitare, Op. 7, is impressive in its scope and its attention to detail, in comparison to other methods of the eighteenth century, but copies of it are extremely rare. Many of Trille Labarre’s other works also have survived in few or unique copies. While Trille Labarre may be mentioned briefly in later biographical dictionaries, he is totally absent from most of the recent works on the history of the guitar. This article discusses his life and works in depth. The supplemental files include a copy of the Nouvelle méthode and Sparr's later, more detailed version of this same article: \"Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works,\" The Lute, no. 56 (2016): 1–129. We are grateful to the author for providing this article.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundboard Scholar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56902/sbs.2018.4.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Barthélemy Trille Labarre (1758–1797) was a French guitarist and composer active at the end of the eighteenth century, when the five-course guitar was still the instrument of choice for many French guitarists. Trille Labarre's Nouvelle méthode pour la guitare, Op. 7, is impressive in its scope and its attention to detail, in comparison to other methods of the eighteenth century, but copies of it are extremely rare. Many of Trille Labarre’s other works also have survived in few or unique copies. While Trille Labarre may be mentioned briefly in later biographical dictionaries, he is totally absent from most of the recent works on the history of the guitar. This article discusses his life and works in depth. The supplemental files include a copy of the Nouvelle méthode and Sparr's later, more detailed version of this same article: "Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works," The Lute, no. 56 (2016): 1–129. We are grateful to the author for providing this article.
barthsamumy Trille Labarre(1758-1797)是活跃在18世纪末的法国吉他手和作曲家,当时五道吉他仍然是许多法国吉他手的首选乐器。与18世纪的其他方法相比,特里勒·拉巴尔(Trille Labarre)的《新吉他》(Nouvelle msamthode pour la guitare)作品7在其范围和对细节的关注方面令人印象深刻,但它的复制品极为罕见。特里勒·拉巴尔的许多其他作品也在少数或独特的副本中幸存下来。虽然Trille Labarre可能会在后来的传记词典中被简短地提到,但他在大多数关于吉他历史的近期作品中完全缺席。本文深入探讨了他的生平和作品。补充的文件包括一份新版本的msamthode和斯帕尔后来对同一篇文章的更详细的版本:“barthsamulemy Trille Labarre, ' professor de Guitare et Compositeur, Élève d ' haydn ',传记和作品目录,' The鲁特,no。56(2016): 1-129。我们非常感谢作者提供这篇文章。