Anne Smith, Ina Lohr (1903-1983). Transcending the Boundaries of Early Music

C. Fischer
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Abstract

This is a book that had to be written. And that is meant in a thoroughly positive way. Ina Lohr, ‘Paul Sacher's assistant’, is a well-known figure in insider circles, who contributed immensely to the creation of the Schola Cantorum Basiliensis, one of the most important international teaching institutions for Early Music and historically informed performance practice. Lohr made a significant contribution to the emergence of the Basel Chamber Orchestra, which made a name for itself not only in Early Music but also, through regular commissions from the Sacher-family, in the field of New Music as yet another unique Basel contribution to the international music life. However, the exact nature of the contributions of Lohr is not entirely clear even to locals and insiders who did have the privilege of meeting her themselves. Especially, her own compositional activity has so far been carefully left out of the prevailing ‘image’ of the conservatively dressed and coiffed Lohr who taught ‘house music courses’ (the name of teacher training at the time).
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安妮·史密斯,伊娜·洛尔(1903-1983)。超越早期音乐的界限
这是一本必须写出来的书。这是一种完全积极的方式。伊娜·洛尔(Ina Lohr)是“保罗·萨切尔的助手”,是业内知名人士,她为巴西音乐学院(Schola Cantorum Basiliensis)的创建做出了巨大贡献,该学院是早期音乐和历史上最重要的国际教学机构之一。洛尔对巴塞尔室内乐团的出现做出了重大贡献,该乐团不仅在早期音乐领域享有盛誉,而且通过萨歇尔家族的定期委托,在新音乐领域也享有盛誉,这是巴塞尔对国际音乐生活的又一独特贡献。然而,洛尔的贡献的确切性质并不完全清楚,即使是当地人和内部人士,他们也有幸见到了她。尤其值得注意的是,她自己的作曲活动到目前为止一直被小心翼翼地排除在洛尔的流行“形象”之外,她穿着保守,梳着保守的发型,教授“house music课程”(当时的教师培训名称)。
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