Expressive Narration in Apollonius’ Argonautica

Abstract

More than any other poetic device, similes define the genre of classical epic, since they are virtually absent from other literary genres;1 and the lively vignettes presented by similes are often among the most highly visible and memorable parts of a particular poem. In any poem, whether oral or written, the work an audience has to do in order to figure out the connections between a simile and the narrative makes that narrative more significant and emotionally engaging for the audience because they must actively participate in making its meaning (Tannen 1989: 17). As Fowler says about ekphrasis, which closely resembles simile in this regard, “precisely because ekphrasis represents a pause at the level of narration and cannot be read functionally, the reader is possessed by a strong need to interpret” (1991, 27). Fowler’s phrasing here – “is possessed by a strong need” – exactly captures the allure that similes bring to the audience of a narrative.2 The richly layered allusions to earlier poetry