Thoughts on Choral Music Writings of Sam Asare-Bediako

Alfred Patrick Addaquay
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Abstract

This paper reveals a personal thought gathered on some choral works, known and unknown processes, of Sam Asare-Bediako as far as choral writings are concerned. It is an analytical view point conducted from my study and teaching of such pieces which are of academic discourse. In my opinion, the features discussed in this paper reveal critically the elements that form the major fundamental constructions of the choral works of Sam Asare-Bediako. The works were examined through teaching, listening and critical observational study of some music scores of the Composer. Using Bent’s description of such a study as musical perception, the study reveals certain unique processes the composer adapted in creating his works. The fundamental significance of the study was to unearth some stylistic thoughts on choral music compositions which are envisaged to help future generation of composers as well as scholars in the composition discipline to address issues pertaining to compositional styles.
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萨姆·阿萨雷-贝迪亚科合唱音乐作品思考
本文就萨姆·阿萨雷-贝迪亚科的合唱作品,从已知的和未知的过程中,揭示了个人的一些想法。这是我从对这类学术话语的研究和教学中得出的一个分析的观点。在我看来,本文所讨论的特点批判性地揭示了构成萨姆·阿萨雷-贝迪亚科合唱作品主要基本结构的要素。这些作品是通过教学、聆听和对作曲家的一些乐谱的批判性观察研究来检验的。利用本特对音乐感知这一研究的描述,该研究揭示了作曲家在创作作品时所适应的某些独特过程。本研究的根本意义在于挖掘出一些关于合唱音乐作品的风格思考,以期帮助下一代作曲家和作曲学科的学者解决与作曲风格有关的问题。
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