Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singing

Stella Paschalidou, T. Eerola, M. Clayton
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引用次数: 3

Abstract

This paper reports on the exploration of the relationships between gesture and sound in the context of practicing 'sound sculpting' [4] in Hindustani (Dhrupad) vocal improvisation. In this practice, singers of the classical Indian music tradition often engage with melodic ideas by manipulating intangible, imaginary objects and materials with their hands while singing. Here we explore the interaction possibilities that both malleable (through elasticity) as well as rigid (through weight/friction) objects can afford by accounting for the physical effort that these require. Specifically, we focus on using movement and audio features for (a) predicting bodily effort levels through linear regression and (b) classifying gestures as either elastic or rigid interactions through logistic regression. The results suggest that a good part of the variance in both physical effort and gesture type can be explained through a small set of audio and motion features.
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声音和动作作为手势类型和物理努力在古典印度歌唱虚拟对象互动的预测
本文报道了在印度斯坦语(Dhrupad)声乐即兴创作中练习“声音雕刻”[4]的背景下,手势和声音之间关系的探索。在这种实践中,印度古典音乐传统的歌手经常通过在唱歌时用手操纵无形的、想象的物体和材料来参与旋律思想。在这里,我们探讨了可延性(通过弹性)和刚性(通过重量/摩擦)物体可以通过计算这些物体所需的物理努力来承受的相互作用可能性。具体来说,我们专注于使用运动和音频特征来(a)通过线性回归预测身体的努力水平,(b)通过逻辑回归将手势分类为弹性或刚性交互。研究结果表明,身体动作和手势类型的很大一部分差异可以通过一小部分音频和动作特征来解释。
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