Pedagogy around graffiti

B. Śliwerski
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Abstract

In this article graffiti is perceived as the art of living with images operated by young artists. The author draws attention to the fact that this art does not only have a negative perception of character, and thus also a social perception (reception). There is explained what the polarization effect of two neighboring generations of graffiti artists in the social space is - open and hidden, in which a presented group of artists tries to manifest their position and presence. Is it worth talking about graffiti in pedagogy in social sciences? The author analyzes it (graffiti) which may not penetrate the structures of life of the young generation, their school, and out-of-school environments, and what does not become the source of rebellion and also a way for establishing a new type of social and educational relationship.
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涂鸦教学
在这篇文章中,涂鸦被认为是由年轻艺术家操作的与图像一起生活的艺术。作者提请注意这样一个事实,即这门艺术不仅具有对人物的负面感知,因此也具有社会感知(接受)。解释了相邻的两代涂鸦艺术家在社会空间中的两极分化效应——开放和隐藏,一个呈现的艺术家群体试图在其中表现自己的位置和存在。涂鸦在社会科学教育学中值得讨论吗?作者分析了它(涂鸦)可能没有渗透到年轻一代的生活结构,他们的学校和校外环境,什么没有成为反叛的来源,也是建立一种新型的社会和教育关系的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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