Eco-piano ModEkAl

New Sound Pub Date : 1900-01-01 DOI:10.5937/newso22059050c
Eka Chabashvili, Nino Jvania, T. Zhvania
{"title":"Eco-piano ModEkAl","authors":"Eka Chabashvili, Nino Jvania, T. Zhvania","doi":"10.5937/newso22059050c","DOIUrl":null,"url":null,"abstract":"For the major part of contemporary composers, the main field of interest is electroacoustic music. On the one hand, the capabilities of classical instruments often no longer satisfy composers-they see more creative potential in music programming; on the other hand, this interest is driven by the composers' desire to have their composed works performed, the realization of which is much easier at the expense of technologies. These trends have clearly created a shortage of new sounds in instrumental music. It is important to maintain instrumental music and to make its existence suitable for the modern environment. To solve this problem, an upright piano \"Zarya\" was modified according to the principles of modern musical thinking and very topical ecomusicology into the piano called ModEkAl. The modified piano is a new type of piano constructed for the artistic research 'Has Piano Music Come to an End?' conducted by composer Eka Chabashvili and pianists Nino Jvania and Tamar Zhvania. The piano was modified according to Chabashvili's scheme which was enriched with the ideas of piano master Alexander Zirakashvili. The paper describes the modified instrument in detail, and introduces a new notation system designed exclusively for the ModEkAl.","PeriodicalId":315139,"journal":{"name":"New Sound","volume":"110 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5937/newso22059050c","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

For the major part of contemporary composers, the main field of interest is electroacoustic music. On the one hand, the capabilities of classical instruments often no longer satisfy composers-they see more creative potential in music programming; on the other hand, this interest is driven by the composers' desire to have their composed works performed, the realization of which is much easier at the expense of technologies. These trends have clearly created a shortage of new sounds in instrumental music. It is important to maintain instrumental music and to make its existence suitable for the modern environment. To solve this problem, an upright piano "Zarya" was modified according to the principles of modern musical thinking and very topical ecomusicology into the piano called ModEkAl. The modified piano is a new type of piano constructed for the artistic research 'Has Piano Music Come to an End?' conducted by composer Eka Chabashvili and pianists Nino Jvania and Tamar Zhvania. The piano was modified according to Chabashvili's scheme which was enriched with the ideas of piano master Alexander Zirakashvili. The paper describes the modified instrument in detail, and introduces a new notation system designed exclusively for the ModEkAl.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Eco-piano ModEkAl
对于大部分当代作曲家来说,他们感兴趣的主要领域是电声音乐。一方面,古典乐器的功能往往不再满足作曲家——他们在音乐节目中看到了更多的创造潜力;另一方面,这种兴趣是由作曲家想要演出他们的作品的愿望所驱动的,而这在牺牲技术的情况下更容易实现。这些趋势显然造成了器乐中新声音的短缺。保持器乐的存在并使其适应现代环境是很重要的。为了解决这个问题,根据现代音乐思维和非常热门的生态音乐学原理,将一架立式钢琴“Zarya”改装成一架名为ModEkAl的钢琴。改进型钢琴是为艺术研究“钢琴音乐是否走到了尽头?”而构建的一种新型钢琴。由作曲家Eka Chabashvili和钢琴家Nino Jvania和Tamar Zhvania指挥。这架钢琴是根据查巴什维利的计划进行修改的,并丰富了钢琴大师亚历山大·齐拉卡什维利的思想。本文详细介绍了改进后的仪器,并介绍了一种专门为ModEkAl设计的新的符号系统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Foley gesture: Towards a theory of acousmatic foley The Web 2.0 social media as a space for the creation of classical music experiences in the time of the pandemic: The case of the Belgrade Philharmonic Orchestra The oeuvre of Isidora Žebeljan: A survey, classification, specificities, and significance (II) Enacting musical maquettes: A cognition-inspired compositional approach Chinese painting theory as an Inspiration: Vladimir Trmčić's two music creations on Chinese painting
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1