{"title":"Cinema Paradiso","authors":"P. D'Acierno","doi":"10.4324/9781003250005-28","DOIUrl":null,"url":null,"abstract":"Plot Summary The central character recounts, through flashbacks, his postwar childhood in a small town, and relationship with the local cinema projectionist. The cinema can be seen as a version Plato’s cave, with the central character gradually escaping its confines (first of all by turning away from the screen and befriending the projectionist), as the first step in his escape from the town into the larger world. Key Scenes","PeriodicalId":143479,"journal":{"name":"The Italian American Heritage","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Italian American Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781003250005-28","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Plot Summary The central character recounts, through flashbacks, his postwar childhood in a small town, and relationship with the local cinema projectionist. The cinema can be seen as a version Plato’s cave, with the central character gradually escaping its confines (first of all by turning away from the screen and befriending the projectionist), as the first step in his escape from the town into the larger world. Key Scenes
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