{"title":"“Darling, Beauty is Pain”","authors":"Porranee Singpliam","doi":"10.1163/26659077-25010023","DOIUrl":null,"url":null,"abstract":"\nHow has postfeminist media culture traveled transnationally? What contributes to the postfeminist media’s popularity in Thailand? This paper performs a content analysis of YouTube’s reality show, This is Me Vatanika. The show features gender issues and the promotion of gender equality, enhances women’s empowerment, encourages women’s leadership and rhetorically calls upon its viewers to partake in the process of self-invention. I draw upon postfeminist media culture and its sensibilities and argue that this reality show inspires a new modality of femininity endemic in Thai society and that it interpolates neoliberal women in line with the logic of wealth and class, all of which impact upon female bodies. I contend that postfeminist media is increasingly evident in Thai society and the audiences’ identification with and responses to the show underscore the structural gender arrangements within the society that can pose a hindrance to fully inventing oneself in the neoliberal culture.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MANUSYA: Journal of Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/26659077-25010023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
How has postfeminist media culture traveled transnationally? What contributes to the postfeminist media’s popularity in Thailand? This paper performs a content analysis of YouTube’s reality show, This is Me Vatanika. The show features gender issues and the promotion of gender equality, enhances women’s empowerment, encourages women’s leadership and rhetorically calls upon its viewers to partake in the process of self-invention. I draw upon postfeminist media culture and its sensibilities and argue that this reality show inspires a new modality of femininity endemic in Thai society and that it interpolates neoliberal women in line with the logic of wealth and class, all of which impact upon female bodies. I contend that postfeminist media is increasingly evident in Thai society and the audiences’ identification with and responses to the show underscore the structural gender arrangements within the society that can pose a hindrance to fully inventing oneself in the neoliberal culture.
后女权主义媒体文化是如何跨国传播的?是什么促成了后女权主义媒体在泰国的流行?本文对YouTube真人秀节目《This is Me Vatanika》进行内容分析。该节目以性别问题和促进性别平等为主题,增强女性赋权,鼓励女性领导,并在修辞上呼吁观众参与自我创造的过程。我利用后女权主义媒体文化及其敏感性,认为这个真人秀激发了泰国社会特有的一种新的女性气质,它将新自由主义女性与财富和阶级的逻辑相结合,所有这些都影响着女性的身体。我认为,后女权主义媒体在泰国社会越来越明显,观众对这部剧的认同和反应突显了社会内部的结构性性别安排,这可能会阻碍人们在新自由主义文化中充分创造自我。