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Matthias Kassel
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引用次数: 12

Abstract

This chapter provides an overview of the Steve Reich Collection kept at the Paul Sacher Stiftung (PSS) in Basel, Switzerland. This important collection, which was acquired by PSS in 2008, consists of a wide range of primary and secondary materials—from sketchbooks, handwritten scores, tape recordings, computer files, and source materials collected for speech and sampled compositions to diaries, letters, interviews, photographs, program leaflets, working correspondence, and critics’ reviews. In addition to the manuscript holdings, the chapter focuses on two historical layers of media-based material, summarized under the catchwords “hybrid-analog” (connecting written documents to audio tapes) and “hybrid-digital” (combining paper, analog audio, and digital files from the working process). These two generic crossovers lend the collection its specific character in terms of archival practice and media analysis, placing special demands both on the archive itself and on scholars studying the sources.
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本章概述了瑞士巴塞尔保罗·萨切尔基金会(PSS)保存的史蒂夫·赖希收藏。这个重要的收藏由PSS于2008年获得,包括广泛的初级和次级材料-从速写本,手写乐谱,磁带录音,计算机文件,以及为演讲和抽样作品收集的原始材料到日记,信件,访谈,照片,节目传单,工作通信和评论家的评论。除了手稿外,本章还重点介绍了基于媒体的材料的两个历史层面,总结为“混合模拟”(将书面文件连接到录音带)和“混合数字”(结合纸张,模拟音频和工作过程中的数字文件)。这两种一般的交叉赋予了这些收藏在档案实践和媒介分析方面的特殊性,对档案本身和研究资料来源的学者都提出了特殊的要求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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“Machine Fantasies into Human Events” Repetition, Speech, and Authority in Steve Reich’s “Jewish” Music From World War II to the “War on Terror” “Departing to Other Spheres” Afro-Electric Counterpoint
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