Attuning to the Cosmos

Eva Anagnostou-Laoutides
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Abstract

The essay discusses music and silence as two important paradigms for articulating spiritual progress in the Platonic corpus and its reception by Neoplatonic and Christian thinkers. After examining the importance of music in Plato’s theory of the soul, mainly in the Republic and the Timaeus, I argue that he appreciated music as a spiritual awakening, as preparation for the truth which is always experienced in deafening silence. Proclus, a sensitive reader of Plato, and later thinkers such as Proclus and Boethius, provided a secure path for the survival of Platonic ideas in the West. Petrarch, a meticulous reader of Augustine, grappling with the same Platonic notions that frustrated the fourth-century theologian, experiments boldly with Platonic silence in the Secretum and his Rime Sparse.
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调谐到宇宙
本文讨论了音乐和沉默作为柏拉图语料库中表达精神进步的两个重要范式,以及新柏拉图主义和基督教思想家对其的接受。在考察了音乐在柏拉图的灵魂理论中的重要性之后,主要是在《理想国》和《蒂迈奥篇》中,我认为他将音乐视为一种精神觉醒,是对真理的准备,而真理总是在震耳欲聋的沉默中经历。普罗克劳斯是柏拉图的敏感读者,后来的思想家,如普罗克劳斯和波伊提乌,为柏拉图思想在西方的生存提供了一条安全的道路。彼特拉克是一位细致的奥古斯丁的读者,他与四世纪的神学家奥古斯丁有着同样的柏拉图式的观念,他在《秘密》和《雾都》中大胆地尝试了柏拉图式的沉默。
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