{"title":"1. “The Longed-For Crystal Palace”: Empire, Modernity, and Nikkatsu Mukōjima’s Glass Studio, 1913–1923","authors":"","doi":"10.1525/9780520969896-003","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":414084,"journal":{"name":"In the Studio","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"In the Studio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/9780520969896-003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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