Neil Diamond: A Personal Educational Appreciation of an Excellent Artist’s Live Performances

Jannie Pieter Pretorius
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Abstract

In this article the performances of the singer Neil Diamond in South Africa are studied to enable the author, a lecturer at a South African university, to learn from Diamond how to develop on professional level. Since the singer announced in 2018 that he would, because of a diagnosis of Parkinson’s disease, no longer be performing live, the study was conducted in reflection on his performing career, which stretched over more than four decades, and the effect that it has had on the lecturer’s professional development. Embedded in the theory of transformative learning, the methodology that was used, namely the 5D framework of appreciative inquiry, was selected because it provided the scaffolding for the reflective research process. After conducting interviews with six people who attended one of Diamond’s performances, five themes were identified and are presented and discussed in this paper: the interaction between Diamond and his audiences; keeping up with the latest technology; Diamond’s enjoyment of what he did and his enthusiasm about his performances; his neat black clothes and professional appearance; and his passionate immersion in those performances. To capture the essence of Diamond’s performances, the author wrote a poem and painted a painting to represent what he learned from Diamond. The effect that his engagement with Diamond has had on the technology and decoration in his lecture hall is also explained.
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尼尔·戴蒙德:一位优秀艺术家现场表演的个人教育欣赏
本文以歌手尼尔·戴蒙德在南非的演出为研究对象,使作者作为南非一所大学的讲师,能够向戴蒙德学习如何在专业水平上发展。自从这位歌手在2018年宣布,由于被诊断出患有帕金森病,他将不再现场表演以来,这项研究是为了反思他长达40多年的表演生涯,以及它对讲师专业发展的影响。在变革学习理论中,所使用的方法,即欣赏探究的5D框架,被选中是因为它为反思性研究过程提供了框架。在对参加过戴蒙德一场演出的六位观众进行采访后,本文确定了五个主题,并对其进行了介绍和讨论:戴蒙德与观众之间的互动;紧跟最新技术;戴蒙德对自己工作的享受和对表演的热情;他整洁的黑色衣服和职业的外表;以及他对表演的热情投入。为了捕捉戴蒙德表演的精髓,作者写了一首诗,画了一幅画来表达他从戴蒙德身上学到的东西。他与戴蒙德的合作对他讲堂的技术和装饰的影响也得到了解释。
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