The Politics of Travel: The Travel Memoirs of Mirza Sheikh I’tesamuddin and Sake Dean Mahomed

Amrita Satapathy
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Abstract

Representation of the East in 18 th century western travel narratives was an outcome of a European aesthetic sensibility that thrived on imperial jingoism. The 18 th century Indian travel writings proved that East could not be discredited as “exotic” and “orientalist” or its history be judged as a “discourse of curiosity”. The West had its share of mystery that had to be unravelled for the curious visitor from the East. Dean Mahomed’s The Travels of Dean Mahomed is a fascinating travelogue cum autobiography of an Indian immigrant as an insider and outsider in India, Ireland and England. I’tesamuddin’s The Wonders of Vilayet is a travel-memoir that addresses the politics of representation. These 18 th century travelographies demystify “vilayet” in more ways than one. They analyse the West from a variety of tropes from gender, to religion and racism to otherness and identity. This paper attempts a comparative analyses of the two texts from the point of view of 18 th century travel writing and representations through the idea of journey. It seeks to highlight the concept of “orientalism in reverse” and show how memoirs can be read as counterbalancing textual responses to counteract dominant western voices.
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旅行的政治:米尔扎·谢赫·伊特萨穆丁和克·迪恩·穆罕默德的旅行回忆录
在18世纪的西方旅行叙事中,东方的表现是欧洲审美敏感性的结果,这种审美敏感性在帝国沙文主义的推动下蓬勃发展。18世纪的印度游记证明,东方不能被诋毁为“异域”和“东方主义”,东方的历史也不能被评判为“好奇的话语”。西方有自己的神秘之处,必须为来自东方的好奇游客揭开面纱。迪恩·穆罕默德的《迪恩·穆罕默德游记》是一本引人入胜的游记兼自传,讲述了一个印度移民在印度、爱尔兰和英国的内幕和局外人。I’tesamuddin的《维拉耶特的奇迹》是一本旅行回忆录,讲述了代表政治。这些18世纪的游记从多个方面揭开了“乡村”的神秘面纱。他们从性别、宗教、种族主义、差异性和身份认同等各种各样的比喻来分析西方。本文试图从18世纪旅行写作的角度对这两篇文本进行比较分析,并通过旅行的观念来表现。它试图强调“逆向东方主义”的概念,并展示回忆录如何被解读为制衡文本的回应,以抵消占主导地位的西方声音。
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