The Origin and Spiritual Distribution of Zamfara Drummers and Singers

Abu-Ubaida Sani, Adamu Rabi’u Bakura
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Abstract

This paper explores the rich tradition of singing in Hausa culture, shedding light on its meaning, importance, and diverse manifestations. The study delves into the significant role of traditional singers, known as ‘makaɗan Hausa,’ who compose songs for various individuals and groups. It highlights the historical context in which singing played a pivotal role. The impact of singing during pre-colonial wars is explored, revealing how oral poetry and chants motivated warriors and eased the burden of handwork. Singing also played a crucial role in fostering cultural exchange, with Hausa praise singers finding themselves in non-Hausa environments, such as Ghana. Additionally, the paper sheds light on the significance of singing in the political realm. It generally provides a comprehensive exploration of singing in Hausa culture, examining its cultural, social, and political dimensions. It showcases the importance of singing in energizing individuals, celebrating professions, facilitating cultural exchange, and entertaining rulers. Through its findings, the study contributes to a deeper understanding of the rich musical traditions within the Hausa community.
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扎姆法拉鼓手和歌手的起源和精神分布
本文探讨了豪萨族文化中丰富的歌唱传统,揭示了它的意义、重要性和多种表现形式。这项研究深入研究了传统歌手的重要作用,这些歌手被称为“maka Hausa”,他们为各种个人和团体创作歌曲。它突出了歌唱发挥关键作用的历史背景。在前殖民战争期间,歌唱的影响被探索,揭示了口头诗歌和圣歌如何激励战士和减轻手工劳动的负担。歌唱在促进文化交流方面也发挥了至关重要的作用,豪萨赞歌歌手在加纳等非豪萨环境中找到了自己。此外,本文还揭示了歌唱在政治领域的意义。它提供了一个全面的探索歌唱在豪萨文化,检查其文化,社会和政治层面。它展示了歌唱在激励个人、庆祝职业、促进文化交流和娱乐统治者方面的重要性。通过它的发现,这项研究有助于更深入地了解豪萨社区丰富的音乐传统。
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