Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi

Onur Yazıcıgil
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引用次数: 1

Abstract

This paper discusses the 8 point (pt) naskh typeface created in Istanbul between 1870 and 1875 and utilized by Ottoman printers during the late 19 th and early 20 th centuries. In the 1880s, Ottoman printed material began to display a more sophisticated typographic hierarchy, with the proliferation of typefaces in various styles and point sizes being the main reason for this visual development. The historical analysis of Ottoman Arabic typefaces reveals the existence of nine original naskh typefaces that were created and used from 1729 until the 1928 Turkish script reform. Among these nine fonts, the 8 pt naskh typeface distinguished itself by its size as the smallest Arabic type used by Ottoman printers, earning it a crucial role in page layout design. It was first utilized in the 1875 pocket book, Hilye-i Hakani. This study focuses on the visual and historical development of the 8 pt naskh typeface and sheds light on its creator, Mehmed Emin Efendi and uses archival documents to scrutinize the driving force for its creation. Due to the absence of metal types, this paper examines only the printed form of types found in journals, newspapers, and books.
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本文讨论了1870年至1875年间在伊斯坦布尔创建的8点(pt) naskh字体,并在19世纪末和20世纪初被奥斯曼印刷商使用。在19世纪80年代,奥斯曼的印刷材料开始显示出更复杂的排版层次结构,各种风格和点大小的字体的激增是这种视觉发展的主要原因。对奥斯曼阿拉伯字体的历史分析揭示了从1729年到1928年土耳其文字改革期间创建和使用的九种原始naskh字体的存在。在这九种字体中,8英寸的naskh字体以其尺寸而闻名,是奥斯曼印刷商使用的最小的阿拉伯字体,在页面布局设计中起着至关重要的作用。1875年的袖珍书《Hilye-i Hakani》首次使用了这个词。本研究聚焦于8体纳希克字体的视觉和历史发展,揭示其创造者穆罕默德·埃明·埃芬迪,并使用档案文件来审视其创作的动力。由于金属字型的缺失,本文只研究了在期刊、报纸和书籍中发现的印刷形式的字型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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