{"title":"Fiddle-icious","authors":"","doi":"10.5622/illinois/9780252042362.003.0022","DOIUrl":null,"url":null,"abstract":"Don Roy is a champion fiddler from Maine, promoted and celebrated on national folkloric stages as “the finest Franco fiddler in New England, whose playing exactly exemplifies what Franco-American fiddling is all about.” Nonetheless, Mr. Roy has been reluctant to adopt or centralize institutional constructs of his identity. Since 2003 he and Cindy Roy have developed and nurtured a community around a core of music repertoire and practice. This chapter explores the relationship between Mr. Roy's role as a bearer of inherited cultural and musical traditions, and his cultivation of a sustainable music community in southern Maine, as a participatory alternative to heritage industry narratives.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Sustainabilities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5622/illinois/9780252042362.003.0022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Don Roy is a champion fiddler from Maine, promoted and celebrated on national folkloric stages as “the finest Franco fiddler in New England, whose playing exactly exemplifies what Franco-American fiddling is all about.” Nonetheless, Mr. Roy has been reluctant to adopt or centralize institutional constructs of his identity. Since 2003 he and Cindy Roy have developed and nurtured a community around a core of music repertoire and practice. This chapter explores the relationship between Mr. Roy's role as a bearer of inherited cultural and musical traditions, and his cultivation of a sustainable music community in southern Maine, as a participatory alternative to heritage industry narratives.