{"title":"Fiddle-icious","authors":"","doi":"10.5622/illinois/9780252042362.003.0022","DOIUrl":null,"url":null,"abstract":"Don Roy is a champion fiddler from Maine, promoted and celebrated on national folkloric stages as “the finest Franco fiddler in New England, whose playing exactly exemplifies what Franco-American fiddling is all about.” Nonetheless, Mr. Roy has been reluctant to adopt or centralize institutional constructs of his identity. Since 2003 he and Cindy Roy have developed and nurtured a community around a core of music repertoire and practice. This chapter explores the relationship between Mr. Roy's role as a bearer of inherited cultural and musical traditions, and his cultivation of a sustainable music community in southern Maine, as a participatory alternative to heritage industry narratives.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Sustainabilities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5622/illinois/9780252042362.003.0022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

Don Roy is a champion fiddler from Maine, promoted and celebrated on national folkloric stages as “the finest Franco fiddler in New England, whose playing exactly exemplifies what Franco-American fiddling is all about.” Nonetheless, Mr. Roy has been reluctant to adopt or centralize institutional constructs of his identity. Since 2003 he and Cindy Roy have developed and nurtured a community around a core of music repertoire and practice. This chapter explores the relationship between Mr. Roy's role as a bearer of inherited cultural and musical traditions, and his cultivation of a sustainable music community in southern Maine, as a participatory alternative to heritage industry narratives.
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唐·罗伊(Don Roy)是来自缅因州的冠军小提琴手,在全国民俗舞台上被誉为“新英格兰最优秀的佛朗哥小提琴手,他的演奏完全体现了佛朗哥-美国小提琴的精髓”。尽管如此,罗伊一直不愿采纳或集中他身份的机构结构。自2003年以来,他和辛迪·罗伊发展并培养了一个以音乐曲目和练习为核心的社区。本章探讨了罗伊先生作为传承文化和音乐传统的承载者的角色,与他在缅因州南部培养一个可持续的音乐社区之间的关系,作为遗产行业叙事的参与性替代方案。
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