Rage Against that Good Night

Mansour Kedidir, Manel Sedjai, Samia Benhenda, Elias Areda, E. M’bokolo, Thandika Mkandawrie, I. Shivji, G. Harrison, W. Alade, Fawole L. Adele Jinadu, Ammara Bekkouche, Fatima Brahmi, Ahmed Chernouhi, Kahina Bouanane-Nouar, Mehdi Souiah, W. A. Fawole, David Forgacs is Guido, Mariuccia Zerilli Marimò, L. Jinadu, S. Osha
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Abstract

Wole Soyinka’s book, Between Defective Memory and the Public Lie: A Personal Odyssey in the Republic of Liars, has elicited a lot of controversy and public ire in Nigeria. To many it would appear as a gratuitous piece of self-indulgence in that it addresses mainly his real or perceived detractors and critics. As a piece of edifying writing, where does it stand? One is forced to say quite low on the level of art. It does not seek to soothe frayed nerves or draw upon the finer emotions as expected from much of great writing. It is a book prompted and written in anger as he himself clearly revealed in press interviews. Even before the book’s release, headlines screamed about Soyinka’s intention to draw blood from those perceived to have wronged him. So what is there to gain in the literary outburst of a man we have grown accustomed to displaying public tantrums time and again? One would have to admit, not much.
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愤怒反对那个晚安
沃勒·索因卡的书《在有缺陷的记忆和公共谎言之间:骗子共和国的个人奥德赛》在尼日利亚引起了很多争议和公众的愤怒。对许多人来说,这似乎是一种毫无理由的自我放纵,因为它主要针对的是他真正的或感知到的批评者和批评者。作为一篇启发性的文章,它的立场如何?人们不得不说艺术水平很低。它不寻求安抚磨损的神经,也不像许多伟大的作品所期望的那样,利用细腻的情感。正如他本人在接受媒体采访时明确透露的那样,这本书是在愤怒中构思和撰写的。甚至在这本书出版之前,各大新闻头条就在大肆报道索因卡要向那些被认为冤枉他的人血债血偿。那么,一个我们已经习惯了一次又一次在公众场合发脾气的人在文学上的爆发有什么好处呢?不得不承认,没有多少。
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