Reappraising the Visionary Work of Arata Isozaki: Six Decades and Four Phases

Steffen Lehmann
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Abstract

This article analyses the work and presents a portrait of Japanese architect Arata Isozaki. His designs and buildings span six decades and it is suggested that these can be categorised into four distinctively different phases. As a former collaborator of Isozaki during the 1990s, the author is able to draw from first-hand observations and knowledge to explain relevant projects. As the discussion points out, Isozaki’s work is highly unusual, original, complex and personal in its absorption of a multitude of influences and its interdisciplinary approach; thus, one could say that he has created ideas and concepts for spaces that defy characterisation as belonging to any single school of thought.
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重新评价矶崎新的幻想作品:六十年四个阶段
本文对作品进行了分析,并介绍了日本建筑师矶崎新的肖像。他的设计和建筑跨越了六十年,可以分为四个截然不同的阶段。作为矶崎在90年代的前合作者,作者能够从第一手的观察和知识来解释相关的项目。正如讨论所指出的那样,矶崎的作品在吸收众多影响和跨学科方法方面是非常不同寻常的,原创的,复杂的和个人的;因此,人们可以说他为空间创造了不属于任何单一思想流派的想法和概念。
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