Selçuklu Yapılarını Süsleyen Mitolojik Varlıklar

Hikmet Serdar Mutlu, Semra Özdemir
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Abstract

Mythological beings, seen as decorative elements in Seljuk buildings, were used in a unique style. It has been seen that this style, which is a nomadic society, was applied by developing and changing in a wide geography extending from Central Asia to Anatolia before and after Islam. It is understood that this ornamentation tradition, which decreased during the Anatolian Principalities Period, was completely lost in the Ottoman Empire. In this study, mythological beings such as griffin, double-headed eagle, dragon, simurg, siren and sphinx, which are among the ornamental motifs seen in Seljuk buildings, were investigated. It has been seen that these assets are mostly applied to stone, ceramic and tile materials in the buildings. In addition, the origins of these mythological beings seen in Seljuk structures, which cultures they were influenced by and the creation of a new style are also included. In the last section, brief information is given about the meanings of mythological beings, which are frequently seen as ornamental elements in Seljuk art and buildings, their production techniques, and their use in religious and civil structures that have survived to the present day.
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神话人物被视为塞尔柱建筑中的装饰元素,以独特的风格使用。可以看出,在伊斯兰教之前和之后,这种游牧社会的风格在从中亚到安纳托利亚的广阔地理范围内得到了发展和变化。据了解,这种装饰传统在安纳托利亚公国时期有所减少,在奥斯曼帝国完全消失了。本研究对塞尔柱建筑中常见的狮鹫、双头鹰、龙、simurg、塞壬、狮身人面像等神话人物进行了研究。可以看到,这些资产主要应用于建筑物中的石材,陶瓷和瓷砖材料。此外,这些神话人物的起源也包括在塞尔柱人的结构中,他们受到了哪些文化的影响,以及一种新风格的创造。在最后一节中,简要介绍了神话人物的含义,这些人物经常被视为塞尔柱艺术和建筑中的装饰元素,他们的制作技术,以及他们在宗教和民用建筑中的使用,这些建筑一直保存到今天。
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