Color rendering in high dynamic range images

G. Guarnieri, S. Marsi
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引用次数: 1

Abstract

If a photograph is reproduced “faithfully”, i.e. preserving the relative colorimetric values of the original scene, the resulting image will often look less colorful and less contrasted than the original scene due to some mechanisms of the human visual system. Film and digital cameras must compensate these effects in order to obtain visually pleasing images, which reproduce the appearance of the original scene. This problem occurs also in high dynamic range (HDR) photography, and tone mapped images may appear slightly hazy if the aforementioned visual effects are not compensated. In this paper we shall briefly recall the technique used by most cameras (both film-based and digital) and show one possible theoretical motivation based on a model of brightness perception. We shall then propose a simple technique which compensates the loss of colorfulness and contrast in tone mapped images, and show in particular how this technique can be combined with a tone mapping operator we recently proposed. Finally, we shall compare the results with those produced by a related method.
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高动态范围图像的显色性
如果一张照片被“忠实地”复制,即保留了原始场景的相对色度值,那么由于人类视觉系统的某些机制,生成的图像通常会比原始场景看起来更少色彩和对比度。胶片和数码相机必须补偿这些影响,以获得视觉上令人愉悦的图像,再现原始场景的外观。这个问题也发生在高动态范围(HDR)摄影中,如果没有补偿上述视觉效果,色调映射的图像可能会显得稍微模糊。在本文中,我们将简要回顾大多数相机(胶片相机和数码相机)使用的技术,并基于亮度感知模型展示一个可能的理论动机。然后,我们将提出一种简单的技术来补偿色调映射图像中色彩和对比度的损失,并特别说明该技术如何与我们最近提出的色调映射算子相结合。最后,我们将与用一种相关方法得到的结果进行比较。
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