Figuras emergentes entre as artes e a clínica – exercícios iniciais para pensar performances do vivo com a Cia Teatral Ueinzz

E. Inforsato
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Abstract

The emerging figures presented here marked by madness, disability, and other lines of risk and desertification have been drawn since doctoral research “Unworking (​Desoeuvrement​) – clinical and political constellations of the common”, and continue proliferating in number and potency of differentiation, in contagion with some art, present in attempts by the Ueinzz Theater Company. What is explicit in these drawings are existences that performs your own life, crossed by the theater that this collective intends to produce, since 22 years in the city of São Paulo. The frontier zone between the arts and the clinic, present in this experience, oscillates emphases in a not evident way. By affirming greater visibility to everything that inscribes it in the artistic-cultural field and operate with the clinic in the most subtle and invisible dimensions, this collective supports an ethic of shifting and shuffling the hegemonic codes that establish ways of existing, in an exclusionary operation. The demand for a clinic 39 that prevents the absolute validity of the clinic itself in the life of these figures it is the paradox that this writing must problematize, from immersions in the artistic making of the linving of this collective.
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艺术和诊所之间的新兴人物-与Cia Teatral Ueinzz一起思考现场表演的初步练习
这里呈现的以疯狂、残疾和其他风险和沙漠化为标志的新兴人物,是自博士研究“不工作(desoeuvment)——共同的临床和政治星座”以来绘制的,并且在数量和效力上继续增殖,在某些艺术的传染上,在Ueinzz剧院公司的尝试中呈现出来。这些画作中明确的是表现你自己生活的存在,被这个集体打算制作的戏剧所交叉,自22年来在圣保罗市。艺术和诊所之间的边界区域,呈现在这个体验中,以一种不明显的方式振荡重点。通过肯定在艺术文化领域中对一切事物的更大可见性,并在最微妙和最无形的维度上与诊所一起运作,这个集体支持在排他性操作中建立存在方式的霸权代码的转移和洗牌的伦理。对诊所的需求阻止了诊所本身在这些人物生活中的绝对有效性,这是一种悖论,这种写作必须提出问题,从沉浸在这个集体生活的艺术创作中。
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