The Blithedale Romance. A Woman's Story

Raquel Blave Gómez
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Abstract

Although it does not seem to be particularly groundbreaking in today’s world, I contend in this essay that the story Nathaniel Hawthorne tells in The Blithedale Romance was radically forward-thinking for his contemporary society. Analyzing it from a contemporary perspective, some feminist scholars have argued that the depiction of female characters is misogynist. In addition, the narrator is often considered to be unreliable and, as such, a failure. Drawing mainly on the theory of Foucault, this article argues that Hawthorne uses an unreliable narrator to interrogate patriarchal monologic discourses and to create a narrative space for the voice of Zenobia, the book’s feminist character, to be heard. Gender and genre considerations are particularly intertwined in the text. Thus, while Coverdale’s narrative empowers Zenobia’s voice, Hawthorne’s use of romance challenges established genre conventions. I claim that The Blithedale Romance challenges patriarchal authority by presenting Zenobia as a more reliable and powerful voice than that of the male narrator. 
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Blithedale Romance。一个女人的故事
虽然它在今天的世界似乎没有特别的开创性,但我在这篇文章中认为,纳撒尼尔·霍桑在《欢乐谷浪漫》中讲述的故事对他的当代社会来说是激进的前瞻性的。一些女权主义学者从当代的角度对其进行分析,认为对女性角色的刻画是一种厌女主义。此外,叙述者通常被认为是不可靠的,因此是失败的。本文主要借鉴福柯的理论,认为霍桑用一个不可靠的叙述者来质问男权的一元论话语,并为书中女性主义角色芝诺比娅的声音创造了一个被听到的叙事空间。性别和体裁的考虑在文本中尤其交织在一起。因此,虽然科弗代尔的叙事赋予了芝诺比亚的声音,但霍桑对浪漫的使用挑战了既定的类型惯例。我认为《Blithedale Romance》通过将芝诺比亚呈现为一个比男性叙述者更可靠、更有力的声音来挑战父权权威。
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