Problems and possibilities for Swedish working-class literature in a neoliberal age

M. Gustafson
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Abstract

In recent decades, inequality has increased in Sweden. The increasing gaps are connected with policies that are often called neoliberal. How does working-class literature relate to these social problems and what literary possibilities does it open up? In this article I discuss these questions based on some literary examples from Swedish contemporary working-class literature. These literary examples have attracted much attention. My perspective is that I see working-class literature as literature with a distinct use value and a literature that has specific functions in the working-class literature context (Felski, 2008). Kristian Lundberg, Johan Jönson and Jenny Wrangborg all give personal accounts from workplaces. Such can be valuable. The problem with Lundberg and Jönson is that they tend to be introverted and egocentric. Especially Lundberg lacks the class perspective. Perhaps Lundberg’s Yarden (The Yard, 2009) should be described as confessional literature rather than working-class literature. With Susanna Alakoski the working-class is hidden behind the concept of poverty. The working-class as actor is absent. The labor movement as well. Instead, it is the middle class who appear as actor. Through the role of jester, Jönson makes class society visible. The role of jester could be seen as a specific rhetorical strategy and a literary device to create a distancing effect, or Verfremdungseffekt. Wrangborg connects to the legacy of early working-class literature with struggle poems. From within the workplace she describes work situations and experiences of class. Emil Boss takes a close look at language and concepts in a postpolitical age when old concepts have changed meaning. It is a crucial task for working-class literature to explain, interpret and examine old concepts that have changed meaning in a new political era, when the labor movement has lost contact with previous ideals and social democratic governments pursue rightwing politics, thus making it difficult to distinguish between left and right. 
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新自由主义时代瑞典工人阶级文学的问题与可能性
近几十年来,瑞典的不平等现象有所加剧。不断扩大的差距与通常被称为新自由主义的政策有关。工人阶级文学是如何与这些社会问题联系在一起的?它开启了什么样的文学可能性?本文以瑞典当代工人阶级文学为例,探讨这些问题。这些文学例子引起了人们的广泛关注。我的观点是,我认为工人阶级文学是具有独特使用价值的文学,是在工人阶级文学语境中具有特定功能的文学(Felski, 2008)。克里斯蒂安·伦德伯格(Kristian Lundberg)、约翰·Jönson和珍妮·朗伯格(Jenny Wrangborg)都提供了工作场所的个人账户。这是有价值的。伦德伯格和Jönson的问题在于,他们倾向于内向和以自我为中心。尤其是伦德伯格缺乏阶级视角。也许伦德伯格的《院子》(The Yard, 2009)应该被描述为忏悔文学,而不是工人阶级文学。苏珊娜·阿拉科斯基认为,工人阶级隐藏在贫穷的概念后面。没有工人阶级的演员。劳工运动也是如此。相反,扮演演员角色的是中产阶级。通过小丑的角色,Jönson让阶级社会变得清晰可见。小丑的角色可以被看作是一种特殊的修辞策略和文学手段,以创造一种距离效果,或Verfremdungseffekt。Wrangborg将早期工人阶级文学的遗产与斗争诗联系起来。她从工作场所内部描述了工作环境和课堂经历。埃米尔·博斯仔细研究了后政治时代的语言和概念,旧的概念已经改变了意义。在新的政治时代,当工人运动与以往的理想失去联系,社会民主主义政府追求右翼政治,难以区分左右时,解释、诠释和审视那些已经改变了意义的旧概念,是工人阶级文学的一项重要任务。
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