Drawing for Understanding, Insight, and Discovery

Juli K. Thorson
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Abstract

The literature on drawing provides a justification for using drawing in the teaching of philosophy. The aim of the essay is to show how drawing as a pedagogy, though unusual in philosophy, fulfills high-quality teaching desiderata: make it personal, go beyond the text, allow students to show and explain their work, and unify the work of the course. I explain these four desiderata and how students complete drawing exercises to develop understanding, generate insights, and make philosophic discoveries. I begin by explaining and justifying the pedagogical desiderata. I discuss the literature on drawing-to-learn and concept mapping and apply its insights to teaching philosophy. Finally, I describe my exercises on color theory, two-point perspective exercises, my modifications to concept mapping, and the use of summative drawings.
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为了理解、洞察和发现而绘画
有关绘画的文献为在哲学教学中使用绘画提供了理由。这篇文章的目的是展示绘画作为一种教学法,虽然在哲学上不寻常,但如何实现高质量的教学要求:使其个性化,超越文本,让学生展示和解释他们的作品,并统一课程的工作。我解释了这四个愿望,以及学生如何完成绘画练习来发展理解,产生见解,并做出哲学发现。我首先解释和证明教学的必要性。我讨论了关于绘画学习和概念映射的文献,并将其见解应用于教学哲学。最后,我描述了我对色彩理论的练习,两点透视练习,我对概念图的修改,以及总结性绘画的使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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