Semantics for the music industry: the development of the music business ontology (MBO)

Frank Schumacher, R. Gey, Stephan Klingner
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引用次数: 3

Abstract

In the paper we show the development of the Music Business Ontology (MBO). The MBO was developed in reaction to problems towards data and communication in the music industry. Based on a qualitative pre-study we analyzed the music industry, its players and data and software in use. First, we identified typical services and data formats. Consequently, we extracted concepts and properties from the music business. The development of software tools for the music business serving well-defined tasks followed the design of the ontology. As a result, the MBO increases transparency of the music business as well as it serves for a better understanding of the music business itself among its actors. The introduction of the Music Business Ontology changes the way actors and systems in the music business interact with each other. It decreases the need for different interfaces and formats and thus considerably reduces complexity.
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音乐产业的语义学:音乐商业本体的发展
本文介绍了音乐业务本体(MBO)的发展过程。MBO是针对音乐行业的数据和通信问题而开发的。在定性预研究的基础上,我们分析了音乐产业、播放器、数据和使用的软件。首先,我们确定了典型的服务和数据格式。因此,我们从音乐业务中提取概念和属性。服务于定义良好的任务的音乐业务软件工具的开发遵循本体的设计。因此,MBO增加了音乐业务的透明度,也有助于更好地了解音乐业务本身。音乐业务本体的引入改变了音乐业务中参与者和系统相互作用的方式。它减少了对不同接口和格式的需求,从而大大降低了复杂性。
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