Deaf Identity Salience: Tracing Daphne’s Deaf Identity Salience Through Switched at Birth

Ryan Decarsky, P. Harvey, Sally W Johnston
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Abstract

Mainstream television scarcely features Deaf persons. When they do, they are usually cameo, secondary, and rarely multidimensional characters. This paper examines Deaf identity of a main character, Daphne Vasquez, on the popular show Switched at Birth. We analyze moments where Daphne’s identity, a constructed Deaf identity, is showcased. We map how her identity is salient across seasons and then examine key moments of identity formation as Daphne negotiates her Deafness. We find a strong display of Deaf identity salience and impactful moments in the show that resulted in more positive, holistic representations of Deafness. In recent years, the media has come under increased scrutiny for limited representations of minority identities; this case study seeks to contribute to that conversation by studying a show explicitly focused on increased representation. This work is important as it not only examines a show which successfully features a character with a traditionally stigmatized identity but simultaneously quantifies how that identity is invoked as a message to viewers. This paper bridges cultural sociology with social psychology to gain a deeper understanding of the importance of identity representation in entertainment media and comments directly on the social impact of Daphne’s character on Deaf presence in 21st century media.
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聋人身份显著性:通过出生时的转换追踪达芙妮的聋人身份显著性
主流电视节目很少以聋人为主角。当他们这样做时,他们通常是配角,次要角色,很少是多维角色。本文研究了热门电视剧《出生时被改变》中主人公达芙妮·瓦斯奎兹的聋人身份。我们分析达芙妮的身份,一个被建构的聋人身份,被展示的时刻。我们绘制了她的身份在不同季节是如何突出的,然后在达芙妮谈判她的耳聋时检查身份形成的关键时刻。我们发现,在展览中,聋人身份的突出和有影响力的时刻得到了强烈的展示,这导致了对聋人更积极、更全面的表现。近年来,媒体因对少数民族身份的有限表述而受到越来越多的审查;本案例研究旨在通过研究一个明确专注于增加代表性的节目来促进这种对话。这项工作很重要,因为它不仅检验了这部剧成功地塑造了一个具有传统耻辱身份的角色,同时也量化了这个身份是如何被唤起的,作为一种信息传递给观众。本文将文化社会学与社会心理学相结合,深入理解娱乐媒体中身份表征的重要性,并直接评论达芙妮角色对21世纪媒体中聋人存在的社会影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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