{"title":"The performative dimension of the memory: Berlins’ monuments after the fall of the wall","authors":"Giulia De' Lorenzis","doi":"10.6092/ISSN.2038-6184/4072","DOIUrl":null,"url":null,"abstract":"The paper analyzes some architectural projects performed in Berlin after the fall of the Wall. All the realizations have had as its object the theme of memory: the Judisches Museum by Daniel Libeskind, the Denkmal fur die ermordeten Juden Europas of Peter Eisenman and Richard Serra, and the under construction Memorial entitled Burger in Bewegung of Milla und Partner and Sasha Waltz. In each of the examples, the overcoming of the traditional typical celebratory and explanatory forms of the classically intended monument, has been found in favour of a remembrance idea that, if tends to be more tangible and concrete on one side; on the other introduce, in the same memorial dimension, the most evanescent and nuanced path of the performative experience .","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Figure","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2038-6184/4072","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper analyzes some architectural projects performed in Berlin after the fall of the Wall. All the realizations have had as its object the theme of memory: the Judisches Museum by Daniel Libeskind, the Denkmal fur die ermordeten Juden Europas of Peter Eisenman and Richard Serra, and the under construction Memorial entitled Burger in Bewegung of Milla und Partner and Sasha Waltz. In each of the examples, the overcoming of the traditional typical celebratory and explanatory forms of the classically intended monument, has been found in favour of a remembrance idea that, if tends to be more tangible and concrete on one side; on the other introduce, in the same memorial dimension, the most evanescent and nuanced path of the performative experience .
本文分析了柏林墙倒塌后柏林的一些建筑项目。所有的实现都以记忆为主题:Daniel Libeskind的犹太博物馆,Peter Eisenman和Richard Serra的Denkmal fur die ermordeten Juden Europas,以及Milla und Partner和Sasha Waltz正在建设的名为Burger in Bewegung的纪念馆。在每一个例子中,克服了传统的典型的庆祝和解释形式的经典意图的纪念碑,已经发现有利于纪念的想法,它往往是更有形和具体的一方面;另一方面,在同样的纪念维度中,引入了表演体验中最短暂和微妙的路径。