W poszukiwaniu kobiecej narracji historycznej. Małgorzata Radkiewicz, Refleksje zza kamery. Reżyserki o kinie i formie filmowej, Muzeum Sztuki Nowoczesnej w Warszawie, Wydawnictwo Uniwersytetu Jagiellońskiego, Fundacja Okonakino, Warszawa, Kraków 2022, ss. 264.

Abstract

The review is devoted to the book by Małgorzata Radkiewicz Refleksje zza kamery. Reżyserki o kinie i formie filmowej [Reflections from behind the Camera: Women Directors on Cinema and Film Form]. The publication showcases a deeply feminist frame of reference not only in its theme which is women directors’ theoretical oeuvre, from Alice Guy-Blaché to Alexandra Juhasz, but also in its concept. The author presents their reflections on cinema in the broader context of changing social norms, cinematic language, feminist philosophy and other minority discourses. The review highlights the importance of translating and publishing those reflections in Polish, however it pays particular attention to the author’s proposal of alternative form of scientific discourse and historical narrative. Radkiewicz changes traditional structure – which, typically, is linear, final, unified and focus on progress and hierarchization – for more open, horizontal and activating. That approach led to placing the book as a parallel to feminist, avant-garde endeavors of presented women directors. It could be positioned as a new narrative mode in the process of (re)writing film history by women and other minorities and inspire future relocations.