The Legend of Luo Xiaohei: Is It an Attempt of Crossing the Comfort Zone for Chinese Animation?

Yuting Gao, Jumei Xiao
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Abstract

The theater version of The Legend of Luo Xiaohei is a “blockbuster” made by domestic animated films in 2019, but it only costs 300 million yuan at the box office, which is not commensurate with the excellent reputation of the IP. Although The Legend of Luo Xiaohei created this hot intellectual property (IP) through a series of dramas, the theater version failed miserably when it crossed the two comfort zones of instant noodles and fans to it: Its plot rhythm was slow, and its content was not full enough, so it was difficult to enrich it for a longer time than the series; it is difficult to support the content of the film which should be more complex than the drama because of its poor characterization and improper arrangement of plot content; the way of expounding its world outlook and theme is difficult to be accepted by the majority of the audience, and the unreasonable early publicity also makes it difficult to expand the audience. Combined with this case, this paper tries to discuss the development mode of animation IP based on “launching theater version animation on the basis of original dramas,” and concludes that the development of overseas animation ip should improve the script according to the genre, make full use of media publicity, and avoid relying on fans’ economy.
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《罗小黑传奇》:是中国动画跨越舒适区的尝试吗?
院线版《罗小黑传》是2019年国产动画电影的“重磅之作”,但票房仅为3亿元,与IP的优异口碑并不相称。《罗小黑传》虽然通过一系列电视剧创造了这个热门的知识产权(IP),但剧场版在跨越方便面和粉丝对它的两个舒适区时却惨败:剧情节奏慢,内容不够饱满,难以比连续剧更长的时间来丰富;影片的人物塑造不佳,情节内容安排不当,难以支撑本应比话剧更复杂的内容;其世界观和主题的阐述方式难以为广大受众所接受,前期不合理的宣传也使得受众难以扩大。结合这一案例,本文试图探讨基于“在原剧基础上推出剧场版动画”的动漫IP开发模式,得出海外动漫IP开发应根据类型完善剧本,充分利用媒体宣传,避免依赖粉丝经济的结论。
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