Children’s orchestral set “Harmonika” by H. T. Statyvkin as a source of developing initial skills of ensemble and orchestral music playing for preschool children

Olena Rieznik
{"title":"Children’s orchestral set “Harmonika” by H. T. Statyvkin as a source of developing initial skills of ensemble and orchestral music playing for preschool children","authors":"Olena Rieznik","doi":"10.34064/khnum1-64.05","DOIUrl":null,"url":null,"abstract":"The figure of Hennadii Tymofiyovych Statyvkin as a reformer of the methodology of teaching the button accordion has always interested researchers for its versatility: ideas of restructuring the educational process of primary music education; experimental introduction of new methodological principles in the educational process; introduction of a seven-year period of training for button accordionists in children’s music schools; production of special training children’s selectable and ready-made button accordions; development and publication of a new curriculum and teaching aids. The above-mentioned ranges of H. Statyvkin’s activity have been covered by scholars at different times exclusively from the point of view of changing the methodology of teaching the button accordion from a selectable to a ready-made instrument. The problem of studying the structure of children’s accordion instruments created by H. Statyvkin has never acquired the format of a special separate study. The proposed article aims to reveal the design activity H. Statyvkin by analysing the design features of children’s musical instruments created by him for ensemble and orchestral music for preschool children. The scientific novelty of the research results is due to the introduction of some facts about the design features of the children’s orchestra set “Harmonika” into the scientific circulation of musicology, which made it possible to reveal the specifics of H. Statyvkin’s design thinking. Based on the analysis of the system of sound disposition at the right keyboards of the “Solo-1” and “Solo-2” instruments, we can conclude that H. Statyvkin’s system corresponds to the right keyboard of the piano-type accordion, but in the button version. Unusual for the button accordion disposition of the sounds at the right keyboard and grouping of major and minor triads in one row of the left keyboard is based on ergonomic and physiological data of preschool children (height and width of the chest, length of hands and forearms). It was this design that made it possible to reduce the overall sizes of the instruments and to make them in accordance with the physiology of a preschool children.","PeriodicalId":388829,"journal":{"name":"Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education","volume":"74 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34064/khnum1-64.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The figure of Hennadii Tymofiyovych Statyvkin as a reformer of the methodology of teaching the button accordion has always interested researchers for its versatility: ideas of restructuring the educational process of primary music education; experimental introduction of new methodological principles in the educational process; introduction of a seven-year period of training for button accordionists in children’s music schools; production of special training children’s selectable and ready-made button accordions; development and publication of a new curriculum and teaching aids. The above-mentioned ranges of H. Statyvkin’s activity have been covered by scholars at different times exclusively from the point of view of changing the methodology of teaching the button accordion from a selectable to a ready-made instrument. The problem of studying the structure of children’s accordion instruments created by H. Statyvkin has never acquired the format of a special separate study. The proposed article aims to reveal the design activity H. Statyvkin by analysing the design features of children’s musical instruments created by him for ensemble and orchestral music for preschool children. The scientific novelty of the research results is due to the introduction of some facts about the design features of the children’s orchestra set “Harmonika” into the scientific circulation of musicology, which made it possible to reveal the specifics of H. Statyvkin’s design thinking. Based on the analysis of the system of sound disposition at the right keyboards of the “Solo-1” and “Solo-2” instruments, we can conclude that H. Statyvkin’s system corresponds to the right keyboard of the piano-type accordion, but in the button version. Unusual for the button accordion disposition of the sounds at the right keyboard and grouping of major and minor triads in one row of the left keyboard is based on ergonomic and physiological data of preschool children (height and width of the chest, length of hands and forearms). It was this design that made it possible to reduce the overall sizes of the instruments and to make them in accordance with the physiology of a preschool children.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
儿童管弦乐《口琴》由h.t. Statyvkin作为发展学龄前儿童合奏和管弦乐演奏的初步技能的来源
作为钮扣手风琴教学方法的改革者,斯泰季夫金的形象一直引起研究者的兴趣,因为他的多样性:重构小学音乐教育过程的思想;在教育过程中实验性地引入新的方法论原则在儿童音乐学校对钮扣手风琴手进行为期7年的培训;特殊训练儿童可选和现成纽扣手风琴的生产;制订及出版新课程及教具。在不同时期,学者们专门从改变纽扣手风琴从可选乐器到现成乐器的教学方法的角度讨论了H. Statyvkin的上述活动范围。研究由H. Statyvkin创造的儿童手风琴乐器结构的问题从来没有获得一个专门的单独研究的形式。本文旨在通过分析施塔蒂夫金为学龄前儿童创作的合奏和管弦乐儿童乐器的设计特点,揭示施塔蒂夫金的设计活动。研究结果的科学新颖性在于将儿童管弦乐团“Harmonika”的设计特点的一些事实引入音乐学的科学循环中,从而有可能揭示H. Statyvkin设计思维的具体内容。通过对“Solo-1”和“Solo-2”两种乐器右键盘的声音配置系统的分析,我们可以得出结论,H. Statyvkin的系统对应于钢琴型手风琴的右键盘,但在按钮版本。不同寻常的是,右键盘上的按键手风琴式布置以及左键盘上的大三和弦和小三和弦在一排的分组是基于学龄前儿童的人体工程学和生理数据(胸部的高度和宽度,手和前臂的长度)。正是这种设计使得减小仪器的整体尺寸成为可能,并使它们符合学龄前儿童的生理机能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
The image of male / female artist in Ukrainian literature at the turn of the 19th and 20th centuries in the gender aspect Etienne Ozi – «a great bassonist of incredible talent» Choral conducting as a way of realizing the creative potential of a student choirmaster Opera women’s characters in the context of paired images (on the example of G. Bizet’s opera “Сarmen”) Two worlds of choral dramaturgy of G. Meyerbeer’s “Robert le Diable”
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1