Are you sure the bankruptcy of the intellectuals?

J. Lichański
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Abstract

Aleksander Nalaskowski's book The Bankruptcy of the Polish intellectuals [Bankructwo polskiej inteligencji] is an important position for a broader reflection not only on the condition of a certain social group, but more broadly - on contemporary culture, not only Polish culture. It seems, however, that the title problem of Nalaskowski's study touches upon a more general issue, which is the present situation of Polish and world (well, maybe only European) culture in general. Whatever we may think about ourselves and how we judge it, we are stuck in a process that affects culture - especially since 1945. As I have tried to sketch the broader background, the sources of this bankruptcy are deeper and not only the fault of the intellectuals itself. Perhaps there is some truth in what the already mentioned Gałczyński wrote (Gałczyński 1956, 189 [Notes from unsuccessful Paris retreats - Notatki z nieudanych rekolekcji paryskich], 1946): And when Your storm passes will you accept a coward into your paradises? Oh sweet night, summer night ... Outside the window, a Galilean flute. Probably many intellectuals would repeat these words after the poet; because there is too much wind for my wool (za duży wiatr na moją wełnę)... This also needs to be taken into account, the failure to settle accounts that affected us after 1939-1945. Here I see the sources of this bankruptcy (if it was bankruptcy), when our parents, relatives, found out that they deviated from the guideline…. Hence the lack of an answer to the question posed in the Little Violin Concerto from Niobe's poem - where is it? Originally the poet wrote - I know, I know. But this memory - did anyone need it? So, in my opinion, it was not the intellectuals that went bankrupt; these were those who decided that she deviated from the guideline (odbiegli od linii wytycznej)... they kind of ordered her to go bankrupt, to give up everything they had managed to save despite the years 1939-1945. And they tried to keep it, hide it, pass it on to others. That it didn't fully work out? Well - let me repeat - nec Hercules contra plures (which I cannot translate in the language of Mr. Piecyk or Walery Wątróbka).
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你确定知识分子破产了吗?
亚历山大·纳拉斯科夫斯基的著作《波兰知识分子的破产》是一个重要的立场,它不仅对某个社会群体的状况进行了更广泛的反思,而且更广泛地对当代文化进行了反思,而不仅仅是对波兰文化。然而,纳拉斯科夫斯基研究的标题问题似乎触及了一个更普遍的问题,即波兰和世界(好吧,也许只是欧洲)文化的总体现状。无论我们如何看待自己,如何判断自己,我们都陷入了一个影响文化的过程中——尤其是自1945年以来。正如我试图概述更广泛的背景一样,这种破产的根源更为深刻,而不仅仅是知识分子本身的错误。也许已经提到的Gałczyński所写的有一定的道理(Gałczyński 1956, 189[从不成功的巴黎撤退笔记- Notatki z nieudanych rekolekcji paryskich], 1946):当你的风暴过去时,你会接受一个懦夫进入你的天堂吗?哦,甜蜜的夜晚,夏夜……窗外是一支加利利长笛。也许许多知识分子会跟着诗人重复这句话;因为风太大了,我的羊毛(za duży wiatr na mojje wełnę)…这也需要考虑到,未能解决在1939-1945年之后影响我们的账目。这里我看到了破产的来源(如果是破产的话),当我们的父母,亲戚,发现他们偏离了指导方针....因此,对尼俄伯诗歌中的小小提琴协奏曲中提出的问题——它在哪里——缺乏答案?最初诗人写道:我知道,我知道。但这段记忆,有人需要吗?所以,在我看来,不是知识分子破产了;这些人认为她偏离了指导方针……他们差不多是命令她破产,让她放弃他们在1939-1945年间努力攒下的一切。他们试图保留它,隐藏它,把它传递给其他人。没有完全成功吗?好吧——让我重复一遍——nec Hercules contra plures(我无法用Piecyk先生或Walery先生的语言翻译Wątróbka)。
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