Eckhart’s Imageless Image: Art Spirituality, and the Apophatic Way

Richard Woods, OP
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Abstract

The doctrine of Images is a pervasive, deep, and difficult area in Eckhart studies. In recent years, a number of articles and even books have been devoted to this aspect of the Meister's teaching. Among those accessible from the Eckhart Review are Loris Sturlese's important article from 1993 and Bruce Milem's prize-winning essay of two years ago. I also highly recommend the pertinent section of Bernard McGinn's fine new book, The Mystical Thought of Meister Eckhart. (I have provided a short bibliography for those who are interested in pursuing the subject further.) Despite its difficulty and medieval tenor, there is nothing quaint or musty about Eckhart's concern with the notion of Image, and in particular the human person as Imago Dei the Image of God. This ancient Christian doctrine is still very much at the front of theological disputation as indicated in the Santa Clara lecture given last April by Mary Catherine Hilkert, 'Imago Dei: Does the Symbol Have a Future?'l In her excellent address, which is available as a reprint from Santa Clara University; she summarizes much of the theological debate surrounding the theme and offers constructive suggestions about rehabilitating it in an era in which feminist, liberation, and ecological demands require a reassessment of both the concept, the language in which it has been formulated, and its historical and current implications for spirituality and ethics.2 Hilkert does not cite Eckhart, nor does Eckhart address issues that are of special importance to Hilkert and many people toda~ such as human arrogance in regard to other species and the planet as a whole, gender disparity, and the oppressive inequity between rich nations and poor nations. Still, Eckhart's approach to the Image, and the Imago Dei in particular, offers insights that are surprisingly similar to many of Hilkert' s observations and, I think, contain a wealth of spiritual wisdom. Eckhart did not approach this subject in a vacuum, of course. He drew on resources of both the biblical and philosophical traditions of the past, as well as theological speculation. Since I do not have much to add byway of textual exegesis to what has been so admirably discussed by Bernard McGinn, Bruce
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埃克哈特的无形象形象:艺术的灵性,和冷漠的方式
形象学说是埃克哈特研究中一个普遍、深入和困难的领域。近年来,许多文章甚至书籍都致力于这方面的大师的教学。《埃克哈特评论》上的文章包括洛里斯·斯特莱斯1993年发表的一篇重要文章,以及布鲁斯·米勒姆两年前发表的获奖文章。我还强烈推荐Bernard McGinn的新书《Meister Eckhart的神秘思想》中的相关章节。(我提供了一个简短的参考书目,供那些有兴趣进一步研究这个主题的人参考。)尽管难度很大,而且带有中世纪的风格,但埃克哈特对形象概念的关注,并没有什么古怪或陈腐的地方,尤其是把人当作上帝的形象。这个古老的基督教教义仍然处于神学争论的前沿,正如玛丽·凯瑟琳·希尔克特去年四月在圣克拉拉的演讲中所指出的那样,“上帝的意象:符号有未来吗?”在她精彩的演讲中,这是圣克拉拉大学的转载版;她总结了围绕这一主题的许多神学辩论,并提供了建设性的建议,以便在一个女权主义、解放和生态需求需要重新评估这一概念、它所表述的语言以及它对精神和伦理的历史和当前含义的时代恢复这一主题希尔克特没有引用埃克哈特的话,埃克哈特也没有谈到对希尔克特和今天的许多人来说特别重要的问题,比如人类对其他物种和整个地球的傲慢,性别差异,以及富国和穷国之间压迫性的不平等。尽管如此,埃克哈特对意象的研究,尤其是对上帝意象的研究,提供了与希尔克特的许多观察惊人相似的见解,我认为,其中包含了丰富的精神智慧。当然,埃克哈特并不是在真空中研究这个问题。他借鉴了圣经和过去的哲学传统,以及神学的推测。对于Bernard McGinn所做的令人钦佩的讨论,我没有太多的文本注释可以补充,Bruce
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