{"title":"Masochism, Empathy, and Genderqueer Masculinity in Sherwood Anderson’s “The Man Who Became a Woman”","authors":"Péter Nagy","doi":"10.1177/10608265231179126","DOIUrl":null,"url":null,"abstract":"This article draws on queer psychoanalysis to explore links between homoerotic masculinity and heterosexual women under patriarchal manhood. I argue specifically that the genderqueer effects of male masochism—as conceptualized by Carol J. Clover—helps us to understand Sherwood Anderson’s exploration of a male protagonist who identifies with women’s pain so profoundly that he himself transforms into a woman who then experiences what it means to be subjected to male violence and sexual predation from that position. Anderson feels ambivalent about the extent to which this form of genderqueer masculinity is sustainable. It is a position that must be purged for the protagonist to survive, but it is also an experience that stays with him. The analysis then broadens to address the larger implications of the close reading, specifically what it means for a cisgender, heterosexual male author to depict men who see themselves in/as women.","PeriodicalId":166000,"journal":{"name":"The Journal of Men’s Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Men’s Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/10608265231179126","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article draws on queer psychoanalysis to explore links between homoerotic masculinity and heterosexual women under patriarchal manhood. I argue specifically that the genderqueer effects of male masochism—as conceptualized by Carol J. Clover—helps us to understand Sherwood Anderson’s exploration of a male protagonist who identifies with women’s pain so profoundly that he himself transforms into a woman who then experiences what it means to be subjected to male violence and sexual predation from that position. Anderson feels ambivalent about the extent to which this form of genderqueer masculinity is sustainable. It is a position that must be purged for the protagonist to survive, but it is also an experience that stays with him. The analysis then broadens to address the larger implications of the close reading, specifically what it means for a cisgender, heterosexual male author to depict men who see themselves in/as women.
这篇文章利用酷儿精神分析来探讨男权统治下的同性恋男性气质和异性恋女性之间的联系。我特别认为,男性受虐的性别酷儿效应——正如卡罗尔·j·克洛弗(Carol J. clover)所定义的那样——有助于我们理解舍伍德·安德森(Sherwood Anderson)对一个男性主人公的探索,他深深认同女性的痛苦,以至于他自己变成了一个女人,然后从那个位置经历了遭受男性暴力和性侵犯的意义。安德森对这种性别酷儿男子气概的可持续程度感到矛盾。这是主角为了生存必须清除的位置,但这也是一种伴随他的经历。然后,分析进一步扩大,以解决细读的更大含义,特别是对于一个顺性别、异性恋的男性作者来说,描绘那些把自己视为女性的男性意味着什么。