Ethos in Nigerian music: Moving the creative industry to creative economy

O. Nwankpa, Clare Ifeyinwa Nwankpa
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Abstract

This article aims at reengineering the creative industry of music into the creative economy structure. As a critical sector of the Nigerian economy, music and its economic potential are quite enormous and require to be properly harnessed to provide appropriate royalties and revenues both to the artistes and to the government. Without doubts, music has many aspects to engender funds and income. What are these areas and what services do they provide? This paper discusses the various ways of moving music under the umbrella of the creative industry to the creative economy through the empirical research methodology, interviews, and primary and secondary sources of data collection. It also establishes models and strategies capable of generating money for the practitioners as well as yielding revenue to the government. Music ethos provides the conceptual framework and understanding dealing with logical thinking, intellectual philosophical mores, and harvest capable of driving home this research. Through the establishment of economic structures, it is believed and envisioned that the application or engagement of logical creative thinking, creative economy structures, and royalty sources flow, intellectually stimulating philosophy in commerce and entrepreneurship is capable of moving the Nigerian Music from creative industry to creative economy.
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尼日利亚音乐的精神:将创意产业转变为创意经济
本文旨在将音乐创意产业重组为创意经济结构。作为尼日利亚经济的一个重要部门,音乐及其经济潜力非常巨大,需要适当利用,为艺术家和政府提供适当的版税和收入。毫无疑问,音乐有很多方面可以产生资金和收入。这些区域是什么?它们提供什么服务?本文通过实证研究方法、访谈、一手资料和二手资料的收集,探讨了将创意产业保护伞下的音乐移入创意经济的各种方式。它还建立了能够为从业者创收以及为政府带来收入的模型和策略。音乐精神提供了处理逻辑思维的概念框架和理解,知识哲学道德,以及能够推动本研究的收获。通过经济结构的建立,人们相信并设想逻辑创造性思维的应用或参与,创造性经济结构,版税来源流动,智力刺激商业和创业哲学能够将尼日利亚音乐从创意产业推向创意经济。
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