MUSIC STUDENTS` PREFERENCES FOR WORLD MUSIC IN THE CONTEXT OF STIMULATING INTERCULTURAL EDUCATION

S. Cvetković, M. Đurđanović, Marija Đorđević
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Abstract

The paper analyzes the phenomenon of world music and the preferences of music students from the Faculty of Arts of the University of Niš for this musical genre in the context of stimulating intercultural education. The research based on the descriptive method was conducted with the intention to obtain answers to questions about whether music students have knowledge/understanding of/for interculturality, to examine their attitudes towards different cultures, and whether they are ready to act against racial/cultural differences and prejudices. The results of this research were completed with the results of a survey, in which students evaluated selected examples of world music. This musical genre was chosen because in our opinion music is perceived not only as an autonomous artistic practice, but also as a representation of a particular culture, collective, and/or ethnic group. On the basis of the results, we tried to determine the students' reactions to the musical characteristics of the closer and distant cultural areas as well as their willingness to accept musical, linguistic and cultural differences in the context of the still dominant presence of the West European  musical art in the process of academic education.
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在促进跨文化教育的背景下,音乐学生对世界音乐的偏好
本文在促进跨文化教育的背景下,分析了世界音乐的现象以及尼什大学文学院音乐学生对这种音乐类型的偏好。基于描述性方法的研究是为了获得关于音乐学生是否对跨文化有知识/理解/的问题的答案,以检查他们对不同文化的态度,以及他们是否准备好采取行动反对种族/文化差异和偏见。这项研究的结果与一项调查的结果一起完成,在这项调查中,学生们对选定的世界音乐进行了评价。之所以选择这种音乐类型,是因为在我们看来,音乐不仅被视为一种自主的艺术实践,而且还被视为一种特定文化、集体和/或种族群体的代表。在结果的基础上,我们试图确定学生对近文化区域和远文化区域的音乐特征的反应,以及他们在学术教育过程中西欧音乐艺术仍然占主导地位的背景下接受音乐,语言和文化差异的意愿。
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