Noul Materialism: Ipoteze Și Contexte

M. Gogoșeanu
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Abstract

Abstract The aim of this paper is to reflect the directions proposed by the new materialism’s theorists by revealing them in a field in which the new materialist perspective has not experienced the same emergence as in cultural studies or philosophy: literature, an area whose socio-cultural implication will enable the correlations with the art of performance. For this purpose, after a brief theoretical introduction, “hypothesis”, of the approach, whose role is in fact to clarify the ideas that the new materialism supports, we reveal a series of neo-materialist “contexts” in the literatures of Urmuz and Matei Vişniec, and in the performances of Marina Abramović, in which the hybridization of the human is the central aspect that allows to present neo-materialist perspective of the corpus.
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本文的目的是通过揭示新唯物主义理论在一个领域提出的方向,而新唯物主义的观点并没有像在文化研究或哲学中那样出现:文学,一个其社会文化含义将使其与表演艺术相关联的领域。为此,在对该方法进行了简要的理论介绍,即“假设”之后(该方法的作用实际上是澄清新唯物主义所支持的观点),我们揭示了乌尔穆兹和马泰·维涅克的文献以及玛丽娜·阿布拉莫维奇的表演中的一系列新唯物主义“语境”,其中人类的杂交是允许呈现新唯物主义语料库视角的中心方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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