Shock Therapy: Atlas Shrugged, Urban Renewal, and the Making of the Entrepreneurial Subject

Myka Tucker-Abramson
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Abstract

Naomi Klein opens The Shock Doctrine by comparing the psychological hypothesis that an array of shocks “could unmake and erase faulty minds” with Milton Friedman’s economic hypothesis that a course of painful policy shocks could return society to “pure capitalism.” Klein’s book raises the question, why did shock become the dominant metaphor for economic and psychological modernization? This chapter suggests that Ayn Rand’s Atlas Shrugged provides one answer, revealing how shock’s emergence as a form of neoliberal subject-making is rooted in the white flight anxieties about racializing and decaying urban cores that emerged in the post-war period. Reading Atlas Shrugged in relation to the debates surrounding the future of America’s cities at a time when the often-opposing forces of urban sprawl, suburbanization, urban decay, and urban renewal were making that future increasingly uncertain, this chapter argues that Atlas Shrugged simultaneously acts as an origin story for the emergence of the entrepreneurial subject and reveals the racialized and revanchist urban processes that helped create and shape these seemingly objective economic narratives and subjectivities.
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休克疗法:阿特拉斯耸耸肩,城市更新和创业主体的形成
娜奥米·克莱因在《冲击主义》一书中,将一系列冲击“可以消除错误思想”的心理学假设与米尔顿·弗里德曼的经济学假设进行了比较,后者认为一系列痛苦的政策冲击可以使社会回归“纯粹的资本主义”。克莱因的书提出了一个问题,为什么休克会成为经济和心理现代化的主要隐喻?本章表明,安·兰德的《耸耸肩的阿特拉斯》提供了一个答案,揭示了休克作为一种新自由主义主题制作形式的出现是如何根植于战后时期出现的白人对种族化和城市核心衰败的焦虑。阅读《阿特拉斯耸耸肩》与围绕美国城市未来的争论有关,当时,城市扩张、郊区化、城市衰败和城市更新这三股经常对立的力量,使未来变得越来越不确定,本章认为,《阿特拉斯耸耸肩》同时作为创业主体出现的起源故事,揭示了种族化和复仇主义的城市进程,这些进程帮助创造和塑造了这些看似客观的经济叙事和主体性。
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Frontmatter chapter 5. Fallen Corpses and Rising Cities: The Bell Jar and the Making of the New Woman chapter 3. Naked Lunch, Or, the Last Snapshot of the Surrealists Conclusion: The Siege of Harlem and Its Commune chapter 4. Shock Therapy: Atlas Shrugged, Urban Renewal, and the Making of the Entrepreneurial Subject
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