Exploring the Connect between Language and Literature: A Stylistic Analysis of Ademola Omobewaji Dasylva’s GOLOBA

Yemisi Folasade Faloye, S. Akinkurolere
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Abstract

It is noted that scholars of linguistics have argued and proved that stylistics is a two-faced sub-linguistic field. In essence, stylistics is relevant in the study of both linguistic and literary texts which serves as the basis for distinguishing linguistic stylistics from literary stylistics. Literary texts are usually analysed to bring to fore the essence of focusing on the language of literature but to also demonstrate the concerns of literary-stylisticians as they set definite boundaries in analysing literary texts. In this paper, a poem titled “Goloba” by Ademola Dasylva is analysed to justify the claim that linguistic stylistics is a veritable approach for analysing and interpreting literary texts, by looking into the graphological features, phonological features, lexico-syntactic features and lexico-semantic features inherent in the poem. These linguistic features are distinctive in interpreting literary texts and the distinctions between linguistic stylistics and literary stylistics have been highlighted. Thus, the paper concludes that literary texts are not only the subject of literary critics but stylisticians.
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探索语言与文学的联系——对阿德莫拉·奥贝瓦吉·达西德娃的《GOLOBA》的体裁分析
值得注意的是,语言学家们认为并证明文体学是一个两面性的亚语言领域。从本质上讲,文体学与语言文本和文学文本的研究是相关的,这是区分语言文体学和文学文体学的基础。文学文本的分析通常是为了突出关注文学语言的本质,但也展示了文学文体学家的关注,因为他们在分析文学文本时设定了明确的界限。本文通过对阿德莫拉·达斯德瓦的一首诗《Goloba》的分析,论证了语言文体学是分析和解释文学文本的一种真正的方法,分析了诗中固有的文字特征、语音特征、词汇句法特征和词汇语义特征。这些语言特征在解读文学文本时具有鲜明的特点,语言文体学与文学文体学的区别也因此凸显出来。因此,本文认为文学文本不仅是文学批评的对象,也是文体学家的对象。
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