{"title":"الرؤية الابستمولوجية لنظرية الاتصال الأدبي من التفسير إلى التأويل : مقاربة نقدية بينية","authors":"مراد مبروك مراد مبروك","doi":"10.37141/1451-014-001-001","DOIUrl":null,"url":null,"abstract":"This research is interested in the epistemological vision that grounded the literary communication theory in the classical and modern criticism in collaboration with interdisciplinary research particularly engineering studies, sociology, media studies, linguistics, literary studies and criticism. It is a vision that format the central base for the theory in epistemological, philosophical, aesthetic, critical levels, starting from the explanation stage in the classical Greek and Arabic studies via the textual and hermeneutic stage to the communication strategy of literary text. Hence, this tackle came in three dimensions: The introduction: it is interested in the concept of theory and its relation to the epistemological, philosophical, aesthetic, critical fundamentals that produced the literary communication theory. The explanation level and the anticipations of the theory: It tackles the epistemological, philosophical, aesthetic, critical dimensions that produced the theory in its central founding of ancient Greeks and Arabs. The interdisciplinary stage and the formation of the theory: It is interested in the interdisciplinary studies that the theory of communication emerged from in engineering studies, sociology, media studies, linguistics, literary studies and criticism on imperative bases. The interpretive stage and the integrative vision of theory: it is interested in the Arabic critical studies that aimed at developing the theory of reception and added imperative dimensions and basic pillars that led to the emergence of new theoris such as the theory of literary communication that adds to the reception theory and avoid its imperfections as well as other critical theories.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"مجلة الخطاب","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37141/1451-014-001-001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This research is interested in the epistemological vision that grounded the literary communication theory in the classical and modern criticism in collaboration with interdisciplinary research particularly engineering studies, sociology, media studies, linguistics, literary studies and criticism. It is a vision that format the central base for the theory in epistemological, philosophical, aesthetic, critical levels, starting from the explanation stage in the classical Greek and Arabic studies via the textual and hermeneutic stage to the communication strategy of literary text. Hence, this tackle came in three dimensions: The introduction: it is interested in the concept of theory and its relation to the epistemological, philosophical, aesthetic, critical fundamentals that produced the literary communication theory. The explanation level and the anticipations of the theory: It tackles the epistemological, philosophical, aesthetic, critical dimensions that produced the theory in its central founding of ancient Greeks and Arabs. The interdisciplinary stage and the formation of the theory: It is interested in the interdisciplinary studies that the theory of communication emerged from in engineering studies, sociology, media studies, linguistics, literary studies and criticism on imperative bases. The interpretive stage and the integrative vision of theory: it is interested in the Arabic critical studies that aimed at developing the theory of reception and added imperative dimensions and basic pillars that led to the emergence of new theoris such as the theory of literary communication that adds to the reception theory and avoid its imperfections as well as other critical theories.