Two Theoretical Frameworks of Folklore Studies and Two Selected Tales from the Collection of the Assamese Folktales Entitled Burhi Aair Sadhu: A Discursive Analysis

Sikha Devi Nath
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Abstract

Within the broad spectrum of critical theories in Folklore studies, the critical tenets of Historical materialism and Psychoanalysis are of great significance. With the appropriation of Historical materialism propounded by Engels and Marx and the Freudian psychoanalytical perspectives, there emerged two novel trends in Folklore studies. Marxist folklorists argue that the folk- the creator of the folklore mostly constitutes the working class. Therefore, the body of folk literature is the symbolic representation of the class struggle itself. On the other hand, the adherents of Freudian Psychoanalysis explicate the folktales as the symbolic expression(s) of the id’s repressed forbidden wishes and desires. The present paper intends to analyze two selected tales, namely Tejimola and Panesoi, from the collection of Assamese Folktales entitled Burhi Aair Sadhu, in the light of Historical materialism and Freudian psychoanalysis, respectively. The paper examines the theme and characters of two selected tales. Further, a close reading of both tales’ symbols and metaphors would inform the conceptual underpinnings of Historical materialism and Freudian psychoanalysis. This study also analyzes the element of fantasy in the selected tales.
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民俗学研究的两个理论框架与《阿萨姆邦民间故事集》中的两个故事选集:话语分析
在民俗学研究的批判理论中,历史唯物主义和精神分析的批判原则具有重要的意义。随着恩格斯和马克思的唯物史观和弗洛伊德的精神分析观点的挪用,民俗学研究出现了两种新的趋势。马克思主义民俗学家认为,民间——民俗学的创造者——主要是工人阶级。因此,民间文学的主体是阶级斗争本身的象征性表现。另一方面,弗洛伊德精神分析的支持者将民间故事解释为本我被压抑的被禁止的愿望和欲望的象征性表达。本文拟从历史唯物主义和弗洛伊德精神分析的角度,分别对阿萨姆邦民间故事集《Burhi Aair Sadhu》中的Tejimola和Panesoi两个故事进行分析。本文考察了两个精选故事的主题和人物。此外,仔细阅读这两个故事的象征和隐喻,可以了解历史唯物主义和弗洛伊德精神分析的概念基础。本文还分析了小说选集中的奇幻元素。
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