{"title":"Andrés Segovia’s Unfinished Guitar Method: Placing His “Scales” in Historical Context","authors":"Andrea Stevens","doi":"10.56902/sbs.2017.3.5","DOIUrl":null,"url":null,"abstract":"For over sixty years, guitarists of my generation have been familiar with the so-called Segovia Scales--the systematic scale fingerings advocated by the Andalusian maestro. They have been an influential--some might say a definitive--bestseller since their first USA publication in 1953. Countless guitar students have incorporated them into their daily practice routines. For the publisher, Columbia Music Co., they seem to be the goose that laid the golden egg. Are they everything that Segovia wanted them to be? Two books of recent date on guitar technique attest to their enduring value and relevance. Thomas Offermann wrote in 2015: \"The fingerings of the scales used here mostly correspond to those of Andrés Segovia.\" revised edition of the 1953 publication came out in 1967. It was republished in 2011 and has remained in print. The original preface by Segovia was partly removed and replaced by a \"Historical Note\" by Thea E. Smith, the granddaughter of the publisher, Sophocles Papas. She attested that they were \"one of the best-selling guitar publications of all time.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundboard Scholar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56902/sbs.2017.3.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
For over sixty years, guitarists of my generation have been familiar with the so-called Segovia Scales--the systematic scale fingerings advocated by the Andalusian maestro. They have been an influential--some might say a definitive--bestseller since their first USA publication in 1953. Countless guitar students have incorporated them into their daily practice routines. For the publisher, Columbia Music Co., they seem to be the goose that laid the golden egg. Are they everything that Segovia wanted them to be? Two books of recent date on guitar technique attest to their enduring value and relevance. Thomas Offermann wrote in 2015: "The fingerings of the scales used here mostly correspond to those of Andrés Segovia." revised edition of the 1953 publication came out in 1967. It was republished in 2011 and has remained in print. The original preface by Segovia was partly removed and replaced by a "Historical Note" by Thea E. Smith, the granddaughter of the publisher, Sophocles Papas. She attested that they were "one of the best-selling guitar publications of all time.
六十多年来,我们这一代的吉他手已经熟悉了所谓的塞戈维亚音阶——安达卢西亚大师所倡导的系统音阶指法。自1953年首次在美国出版以来,它们一直是有影响力的——有些人可能会说是决定性的——畅销书。无数的吉他学生已经把它们融入了他们的日常练习中。对于出版商哥伦比亚音乐公司(Columbia Music Co.)来说,他们似乎是下金蛋的鹅。他们是塞戈维亚想要的那种人吗?最近关于吉他技术的两本书证明了它们持久的价值和相关性。Thomas Offermann在2015年写道:“这里使用的音阶指法大多与andrsamas Segovia的指法相对应。”1953年出版的修订版于1967年出版。该书于2011年再版,至今仍在印刷。塞戈维亚的原始序言被部分删除,取而代之的是出版商索福克勒斯·帕帕斯的孙女西娅·e·史密斯(Thea E. Smith)的“历史注释”。她证实,它们是“有史以来最畅销的吉他出版物之一”。