‘Our close but prohibited union’: Sibling incest, class and national identity in Iain Banks’s The Steep Approach to Garbadale (2007)

R. Duggan
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Abstract

The work of Iain Banks has been prominent in exploring the crossing of different kind of borders: national, aesthetic and generic, ontological, gender and class to name but a few. Banks has also been part of a wider preoccupation in contemporary Scottish writing to do with inhabiting border zones, where the border ceases to be an idealised geometric line with almost no width or physical extension, and instead broadens to become a site that one can reside in, the ground against which the figure emerges. The Bridge, along with The Crow Road (1992) forms the background of the chapter. This chapter will illuminate how The Steep Approach to Garbadale’s continuation of and departure from the border explorations and reflections on national identity of his earlier books is rendered through the crucial deployment of the motif of sibling incest in the novel.
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“我们亲密但被禁止的结合”:兄弟姐妹乱伦、阶级和民族认同——伊恩·班克斯《通往加尔巴代尔的陡峭道路》(2007)
伊恩·班克斯的作品在探索不同边界的跨越方面表现突出:国家、审美和一般、本体论、性别和阶级等等。银行也是当代苏格兰写作中更广泛关注的一部分,与居住的边界地区有关,在那里,边界不再是几乎没有宽度或物理延伸的理想几何线,而是变宽,成为一个可以居住的地点,在那里,人物出现在地面上。《桥》和《乌鸦路》(1992)构成了本章的背景。本章将阐明《陡峭的道路》是如何通过小说中兄弟姐妹乱伦主题的关键部署来呈现加巴达勒对早期作品中边境探索和对国家身份的反思的延续和背离。
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Is posthuman incest possible? Science fiction and the futures of the body ‘[B]orn to make a real life, however it cracks your heart’:1 Creative women and daydreaming in Margo Lanagan’s Tender Morsels (2008) Avuncular ambiguity: Ethical virtue in Iris Murdoch’s The Black Prince (1973 and Simone de Beauvoir’s The Mandarins (1954) ‘Is’t not a kind of incest?’1 Metaphor and relation in the poetry of Ted Hughes and Sylvia Plath ‘Waking in the dark’:1 Remembering incest in A Thousand Acres (1991), Exposure (1993) and Beautiful Kate (2009)
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