Disseminating Queer Theory

Katherine Parker-Hay
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引用次数: 1

Abstract

This chapter explores how Dykes to Watch Out For establishes a playful and deprecating relationship with queer theory that is simultaneously a hallmark of Alison Bechdel’s individual craft and something made possible by the unique formal properties of comics. Specifically, this chapter considers instances where Bechdel uses the gutters of the comic to represent how knowledge can be lost or obfuscated as it moves through (everyday, public) time that is teeming with distractions. As a result, the collected DTWOF is stirring, instructive even, for anyone invested in critical theory’s capacity to affect meaningful and sustained change. The method developed in the chapter draws on the significance of the gutter as identified in comics criticism; it advocates placing one’s attention on the gutters and focusing on how information is shown to be successfully, or unsuccessfully, transmitted across them.
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传播酷儿理论
这一章探讨了《守望戴克斯》是如何与酷儿理论建立起一种戏谑和反对的关系的,这既是艾莉森·贝克德尔个人艺术的标志,也是漫画独特的形式属性所带来的可能。具体来说,这一章考虑了Bechdel使用漫画的沟渠来表现知识在充满干扰的(日常的,公共的)时间中是如何丢失或混淆的。因此,收集的DTWOF是激动人心的,甚至对任何投资于批判理论影响有意义和持续变化的能力的人来说都是有益的。本章中发展的方法借鉴了漫画批评中确定的阴沟的意义;它提倡将人们的注意力放在排水沟上,关注信息是如何成功或不成功地通过排水沟传递的。
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THE EXPERIMENTAL INTERIORS OF ALISON BECHDEL’S ARE YOU MY MOTHER? Inside The Archives of Fun Home INCHOATE KINSHIP Bechdel’s Men and Masculinity Dancing With Memory In Fun Home
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