Ambivalence, Language and the Uncanny in Katherine Mansfield's In a German Pension

A. Harrison
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引用次数: 1

Abstract

This essay uses an observation on the strangeness of language in the opening section of Freud's essay ‘Das Unheimliche’ to describe the unsettling effects created by the stories in Mansfield's first collection, In A German Pension. It relates the formal ambivalence of the stories to their thematic concern with deception and self-deception, insinuation and suspicion, showing how the reader is troublingly implicated in the processes of speculation and intrusion foregrounded in the narratives. The essay concludes by concentrating on Mansfield's technical concern with the disconcerting slippage of meaning between languages and the uncanny potential of mixed languages, erratic voices and ambiguous expressions.
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凯瑟琳·曼斯菲尔德《在德国的养老金里》中的矛盾心理、语言和神秘
这篇文章在弗洛伊德的文章《万物之灵》的开头部分对语言的奇异性进行了观察,以描述曼斯菲尔德的第一部小说集《德国养老金》中的故事所产生的令人不安的影响。它将故事的形式矛盾与它们对欺骗和自我欺骗、影射和怀疑的主题关注联系起来,展示了读者如何令人不安地卷入叙事中所预示的猜测和入侵的过程。文章的结尾集中在曼斯菲尔德对语言之间令人不安的意义滑落的技术关注以及混合语言,不稳定的声音和模棱两可的表达的不可思议的潜力。
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Jeanne Dubino, ed., Virginia Woolf and the Literary Marketplace (New York: Palgrave Macmillan, 2010), 282 pp., £55 (US $84), ISBN 978 0 2301 0706 9 ‘Wasp’-ishness in Mansfield's ‘The Breidenbach Family in England’ A Note on Larkin on Mansfield Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton's Summer and Katherine Mansfield's Short Stories DiaryFrom ‘Isola Bella: A Writing Journal’
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