{"title":"Potter's Bull: An Heirloom and a Gift","authors":"F. Grijzenhout","doi":"10.5092/JHNA.2021.13.1.2","DOIUrl":null,"url":null,"abstract":"Contrary to what we thought we knew about the provenance of Paulus Potter’s iconic The Bull (1647; Mauritshuis, The Hague), the painting served as a gift to Prince William IV of Orange in 1749, after a stay of many decades within the family of Barbara Schas and Willem Fabricius in Haarlem. The painting may have been produced, or adapted, as a giant piece of decoration for a private house in The Hague.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Historians of Netherlandish Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5092/JHNA.2021.13.1.2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Contrary to what we thought we knew about the provenance of Paulus Potter’s iconic The Bull (1647; Mauritshuis, The Hague), the painting served as a gift to Prince William IV of Orange in 1749, after a stay of many decades within the family of Barbara Schas and Willem Fabricius in Haarlem. The painting may have been produced, or adapted, as a giant piece of decoration for a private house in The Hague.
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