Chapter 15 Jerusalem Commonplaces in Danish Rural Churches: What Urban Architecture Remembers

Line M. Bonde
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引用次数: 1

Abstract

The phrase SALOMON ME FECIT MONASTERIU(m) (Solomon made me, the church) is carved in majuscules on the inner northern jamb of a portal in the rural Hunseby Church on the small island of Lolland, Denmark (Fig. 15.1a). It evokes the metaphor of the Christian church as Solomon’s Temple, effectively establishing the rural church as a local Jerusalem. Hunseby Church, built during the long twelfth century, is part of the massive wave of stone churches built all over medieval Denmark in this period. The art of building in stone came in the wake of the late Christianization of the Danes and was exclusively used to erect churches; churches built in the style of the socalled Romanesque. However, the visual articulation of the “novel” architectural expression was more than mere play with forms and formats; it was visual rhetoric. As such, the “style” of the early stone churches carried with it a plethora of Christian metaphors and allusions intended to translate Jerusalem and the Christian storyworld onto Danish soil.
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第15章丹麦乡村教堂中的耶路撒冷共性:城市建筑的记忆
在丹麦的小岛Lolland的乡村Hunseby教堂,大门的内北侧的门框上用巨幅雕刻着“SALOMON ME FECIT MONASTERIU(m)”(所罗门造了我,教堂)这句话(图15.a)。它让人联想到基督教会是所罗门的圣殿,有效地将乡村教会建立为当地的耶路撒冷。汉斯比教堂建于漫长的十二世纪,是中世纪丹麦在这个时期建造的大量石头教堂的一部分。用石头建造建筑的艺术是在丹麦人后期基督教化之后出现的,专门用于建造教堂;以罗马式风格建造的教堂。然而,“新颖”建筑表达的视觉表达不仅仅是形式和格式的游戏;这是视觉修辞。因此,早期石教堂的“风格”带有过多的基督教隐喻和典故,旨在将耶路撒冷和基督教故事世界翻译到丹麦的土地上。
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Chapter 2 Apocalypticism, Chiliasm, and Cultural Progress: Jerusalem in Early Modern Storyworlds Chapter 9 The Crown of Thorns and the Royal Office in Thirteenth- and Fourteenth-Century Scandinavia Chapter 4 The Election of Israel? Jews in the Eyes of Early Modern Lutherans Chapter 18 Heavenly Agent and Divine Disclosure: The Holy Cross at Borre Chapter 18 The Heavenly Jerusalem and the City Plan of Trondheim 1681
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