To Make Love to Life

College Art Journal Pub Date : 1960-06-01 DOI:10.2307/773845
R. Lippold
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引用次数: 1

Abstract

In this troubled world we need huge doses of both the socially objective and the personally subjective, since each exists only by virtue of the other.The errors we may make I am sure lie in our inabilities to embrace those aspects of life which seem contradictory to us, not only by a separation of the subjective and the objective—an oversight which is surely responsible for the isolation of the artist in a materialistic society—but also by a schism between body and spirit. (Perhaps this is the same thing.) This curious compulsion to resolve life into an either-or finality is deadlier than death because it makes enemies of us and puts daggers in our prejudiced hands. In the world of art, the separation of the “sensuous” from the “sublime,” the “expressive” from the “contemplative,” are just as deadly to the work of art, because it can lead only to what is a matter of fashion and not of form.
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让爱融入生活
在这个纷乱的世界里,我们需要大量的社会客观和个人主观,因为两者都是相互依赖而存在的。我敢肯定,我们可能犯的错误在于我们不能接受那些对我们来说似乎是矛盾的生活方面,不仅是主观和客观的分离——这种疏忽肯定是艺术家在物质主义社会中被孤立的原因——而且是身体和精神的分裂。(也许这是一回事。)这种将生命归结为非此即彼的奇怪冲动比死亡更致命,因为它使我们成为敌人,把匕首放在我们偏见的手中。在艺术世界里,“感觉”与“崇高”、“表达”与“沉思”的分离,对艺术作品来说同样是致命的,因为它只能导致时尚问题,而不是形式问题。
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