{"title":"Marranismo, Allegory, and the Unsayable in Arturo Ripstein’s El Santo Oficio","authors":"Erin Graff Zivin","doi":"10.1007/978-3-030-22956-6_5","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":260369,"journal":{"name":"The Films of Arturo Ripstein","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Films of Arturo Ripstein","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-22956-6_5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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