Gigging it in the shire: information practices of Renaissance faire performers and artisans

Vikki C. Terrile
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Abstract

PurposeThe purpose of this study was to explore the information behaviors (IBs) of performers and artisan/vendors in American Renaissance faires. This research is exploratory in nature and seeks to discover how existing IB theories, including embodied information practices, can explain the information seeking and use of performers and artisan vendors working in American Renaissance faires.Design/methodology/approachThis study used semi-structured qualitative interviews with three artisan/vendors and 12 performers at Renaissance faires to explore their IBs around the roles at the festivals. Interviews were audio recorded, transcribed and analyzed from an exploratory framework, looking for how existing IB theories might explain the findings.FindingsAlthough the participants in this study described information practices that were embodied and corporeal, they shared more experiences around the complex and fraught nature of information sharing within the Renaissance faire community. Information sharing prohibitions were related to power dynamics and the participants' roles as gig or contingent workers.Originality/valueThis was the first study to explore the IBs of Renaissance faire performers and artisan/vendors and as such, was exploratory in nature. The findings point to several areas for additional research.
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在郡里表演:文艺复兴嘉年华表演者和工匠的信息实践
目的本研究的目的是探讨美国文艺复兴集会中表演者和工匠/小贩的信息行为。本研究本质上是探索性的,旨在发现现有的IB理论,包括具身信息实践,如何解释在美国文艺复兴博览会上工作的表演者和工匠供应商的信息寻找和使用。设计/方法/方法本研究采用半结构化的定性访谈,对文艺复兴节上的三位工匠/供应商和12位表演者进行访谈,以探讨他们在节日中扮演的角色。访谈录音,转录和从探索性框架分析,寻找现有的IB理论如何解释这些发现。尽管本研究的参与者描述了具体的和有形的信息实践,但他们在文艺复兴博览会社区中分享了更多关于复杂和令人担忧的信息共享本质的经验。信息共享禁令与权力动态以及参与者作为零工或临时工的角色有关。原创性/价值这是第一个探索文艺复兴博览会表演者和工匠/供应商的IBs的研究,因此,本质上是探索性的。这些发现指出了需要进一步研究的几个领域。
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